To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky

This paper problematizes the now widely accepted concept of Dostoevsky’s dialogism, which alleges the ‘Author’s’ equal empowerment of all his characters. Using examples from <i>Crime and Punishment</i> and <i>The Brothers Karamazov</i>, Zholkovsky focuses on instances of ‘sce...

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Main Author: Alexander Zholkovsky
Format: Article
Language:English
Published: MDPI AG 2021-07-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/12/7/506
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author Alexander Zholkovsky
author_facet Alexander Zholkovsky
author_sort Alexander Zholkovsky
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description This paper problematizes the now widely accepted concept of Dostoevsky’s dialogism, which alleges the ‘Author’s’ equal empowerment of all his characters. Using examples from <i>Crime and Punishment</i> and <i>The Brothers Karamazov</i>, Zholkovsky focuses on instances of ‘scene-staging’ based on the ‘scripts’ devised and enacted by some characters, that are ‘read,’ with varying success, by their targets. He documents the resulting ‘discursive combat’ among the characters, with special attention paid to those ‘playing god’ and thus, the more ‘authorial’ among them. In several cases, the would-be ‘divine’ manipulation is shown to be consistently subverted by the Dostoevskian narrative. However, in one instance, where Aliosha Karamazov charitably scripts Captain Snegirev’s behavior, the ensuing discussion of this episode, in Aliosha’s conversations with Lise Khokhlakova, upholds Aliosha’s right to play god with the Other—“for the Other’s own good”, of course (not unlike the Grand Inquisitor).
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spelling doaj.art-fdd421f99b5b446799be58d69c086cf22023-11-22T04:49:33ZengMDPI AGReligions2077-14442021-07-0112750610.3390/rel12070506To Be or Not to Be God—The Issue of Authorial Power in DostoevskyAlexander Zholkovsky0College of Letters, Arts and Sciences, University of Southern California, Los Angeles, CA 90007, USAThis paper problematizes the now widely accepted concept of Dostoevsky’s dialogism, which alleges the ‘Author’s’ equal empowerment of all his characters. Using examples from <i>Crime and Punishment</i> and <i>The Brothers Karamazov</i>, Zholkovsky focuses on instances of ‘scene-staging’ based on the ‘scripts’ devised and enacted by some characters, that are ‘read,’ with varying success, by their targets. He documents the resulting ‘discursive combat’ among the characters, with special attention paid to those ‘playing god’ and thus, the more ‘authorial’ among them. In several cases, the would-be ‘divine’ manipulation is shown to be consistently subverted by the Dostoevskian narrative. However, in one instance, where Aliosha Karamazov charitably scripts Captain Snegirev’s behavior, the ensuing discussion of this episode, in Aliosha’s conversations with Lise Khokhlakova, upholds Aliosha’s right to play god with the Other—“for the Other’s own good”, of course (not unlike the Grand Inquisitor).https://www.mdpi.com/2077-1444/12/7/506authorial powerscripting othersreading each otherdiscursive combatsplaying godRaskolnikov
spellingShingle Alexander Zholkovsky
To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky
Religions
authorial power
scripting others
reading each other
discursive combats
playing god
Raskolnikov
title To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky
title_full To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky
title_fullStr To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky
title_full_unstemmed To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky
title_short To Be or Not to Be God—The Issue of Authorial Power in Dostoevsky
title_sort to be or not to be god the issue of authorial power in dostoevsky
topic authorial power
scripting others
reading each other
discursive combats
playing god
Raskolnikov
url https://www.mdpi.com/2077-1444/12/7/506
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