Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952

In 1942, a young Dublin architect, Nelson Paine, formed the Dublin Marionette Group on foot of an international re-appraisal of the potential of the puppet theatre as a form of expression. This Group became the nucleus of experimental theatre in the Irish capital and influenced several well-known Ir...

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Main Author: Martin G. Molony
Format: Article
Language:English
Published: Asociación Española de Estudios Irlandeses 2023-03-01
Series:Estudios Irlandeses
Subjects:
Online Access:https://www.estudiosirlandeses.org/wp-content/uploads/2023/03/EI-18-Martin-Molony.pdf
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author Martin G. Molony
author_facet Martin G. Molony
author_sort Martin G. Molony
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description In 1942, a young Dublin architect, Nelson Paine, formed the Dublin Marionette Group on foot of an international re-appraisal of the potential of the puppet theatre as a form of expression. This Group became the nucleus of experimental theatre in the Irish capital and influenced several well-known Irish creative artists over the decade of its existence and beyond. It attracted the involvement of actors, artists and dramatists of the period and performed in professional settings, including eight seasons at the Peacock Theatre and for each of the first four years of the Wexford Opera Festival. This article examines the context of the Group’s formation, its long-forgotten experimental approach, and its considerable contribution to the development of the arts in Ireland.
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spelling doaj.art-fde6e4376b3e489b98968bb2c5334a8c2023-03-16T12:07:33ZengAsociación Española de Estudios IrlandesesEstudios Irlandeses1699-311X2023-03-011818677811392Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952Martin G. Molony0 Dublin City University In 1942, a young Dublin architect, Nelson Paine, formed the Dublin Marionette Group on foot of an international re-appraisal of the potential of the puppet theatre as a form of expression. This Group became the nucleus of experimental theatre in the Irish capital and influenced several well-known Irish creative artists over the decade of its existence and beyond. It attracted the involvement of actors, artists and dramatists of the period and performed in professional settings, including eight seasons at the Peacock Theatre and for each of the first four years of the Wexford Opera Festival. This article examines the context of the Group’s formation, its long-forgotten experimental approach, and its considerable contribution to the development of the arts in Ireland.https://www.estudiosirlandeses.org/wp-content/uploads/2023/03/EI-18-Martin-Molony.pdfpuppet theatreexperimental theatremodern puppetrydublin marionette group
spellingShingle Martin G. Molony
Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
Estudios Irlandeses
puppet theatre
experimental theatre
modern puppetry
dublin marionette group
title Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
title_full Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
title_fullStr Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
title_full_unstemmed Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
title_short Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952
title_sort nelson paine experimental theatre and puppetry in ireland 1942 1952
topic puppet theatre
experimental theatre
modern puppetry
dublin marionette group
url https://www.estudiosirlandeses.org/wp-content/uploads/2023/03/EI-18-Martin-Molony.pdf
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