Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah
The existence of Balinese performance art can be observed through a long journey based on such of clues like artifact and ancient inscription which are found and described the categories of our inheritance performance art at the present are existed since the age of Ancient Balinese. Through t...
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| Format: | Article |
| Language: | English |
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Institut Seni Indonesia Denpasar
2021-07-01
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| Series: | Mudra: Jurnal Seni Budaya |
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| Online Access: | https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/1512 |
| _version_ | 1797803702603481088 |
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| author | I Gusti Ngurah Seramasara |
| author_facet | I Gusti Ngurah Seramasara |
| author_sort | I Gusti Ngurah Seramasara |
| collection | DOAJ |
| description |
The existence of Balinese performance art can be observed through a long journey based on such of clues like artifact and ancient inscription which are found and described the categories of our inheritance performance art at the present are existed since the age of Ancient Balinese. Through the awareness of history, the age of Ancient Balinese is made of by the relationships between Balinese and East Javanese kings. In another ways can be comprised that the Balinese performance art is included in ancient Balinese performance art which is known as the product of Javanese culture and Balinese tradition’s acculturation. The East Javanese culture’s inheritance has cultivated by the fallen of Balinese’s Kingdom under Majapahit since the governance of King Asta Sura, Ratna Bumi Banten which caused the dominant influence of Majapahit’s culture to the development of Balinese culture until now. Seen that the Balinese performance art has a meaning to regenerate and socialize the Balinese culture and can also assumed that traditional performance art is become the identity of Balinese culture. The changes of age and the existence of culture system will influence the form and structure of performance art so that in reconstructing of traditional performance art as a history moment is always limited by space, proceed with time and reconstruct to the artist’s style. The changes of form and art structure can be possessed as a history process while its meaning and characteristics are always powered and prevented the genuine of Balinese culture art.
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| first_indexed | 2024-03-13T05:24:52Z |
| format | Article |
| id | doaj.art-fe0accbefd4c42a4969ab944b084d66e |
| institution | Directory Open Access Journal |
| issn | 0854-3461 2541-0407 |
| language | English |
| last_indexed | 2024-03-13T05:24:52Z |
| publishDate | 2021-07-01 |
| publisher | Institut Seni Indonesia Denpasar |
| record_format | Article |
| series | Mudra: Jurnal Seni Budaya |
| spelling | doaj.art-fe0accbefd4c42a4969ab944b084d66e2023-06-15T09:27:23ZengInstitut Seni Indonesia DenpasarMudra: Jurnal Seni Budaya0854-34612541-04072021-07-0120110.31091/mudra.v20i1.1512Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah I Gusti Ngurah Seramasara0Jurusan Pedalangan, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar, Indonesia The existence of Balinese performance art can be observed through a long journey based on such of clues like artifact and ancient inscription which are found and described the categories of our inheritance performance art at the present are existed since the age of Ancient Balinese. Through the awareness of history, the age of Ancient Balinese is made of by the relationships between Balinese and East Javanese kings. In another ways can be comprised that the Balinese performance art is included in ancient Balinese performance art which is known as the product of Javanese culture and Balinese tradition’s acculturation. The East Javanese culture’s inheritance has cultivated by the fallen of Balinese’s Kingdom under Majapahit since the governance of King Asta Sura, Ratna Bumi Banten which caused the dominant influence of Majapahit’s culture to the development of Balinese culture until now. Seen that the Balinese performance art has a meaning to regenerate and socialize the Balinese culture and can also assumed that traditional performance art is become the identity of Balinese culture. The changes of age and the existence of culture system will influence the form and structure of performance art so that in reconstructing of traditional performance art as a history moment is always limited by space, proceed with time and reconstruct to the artist’s style. The changes of form and art structure can be possessed as a history process while its meaning and characteristics are always powered and prevented the genuine of Balinese culture art. https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/1512Identita budaya Balipertunjukan tradisional |
| spellingShingle | I Gusti Ngurah Seramasara Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah Mudra: Jurnal Seni Budaya Identita budaya Bali pertunjukan tradisional |
| title | Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah |
| title_full | Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah |
| title_fullStr | Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah |
| title_full_unstemmed | Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah |
| title_short | Seni Pertunjukan Tradisional Bali, Sebuah Renungan Sejarah |
| title_sort | seni pertunjukan tradisional bali sebuah renungan sejarah |
| topic | Identita budaya Bali pertunjukan tradisional |
| url | https://jurnal.isi-dps.ac.id/index.php/mudra/article/view/1512 |
| work_keys_str_mv | AT igustingurahseramasara senipertunjukantradisionalbalisebuahrenungansejarah |