Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites

To read Illusions perdues, the first observation that strikes the reader is the extreme diversity of the language of its characters. Balzac opens his literary language on an infinity of oral and written speeches, of a familiar, regional, diachronic nature ... And this, by the use...

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Main Author: Mohamed Bourasse
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Norte 2021-11-01
Series:Revista Odisséia
Subjects:
Online Access:https://periodicos.ufrn.br/odisseia/article/view/24242
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author Mohamed Bourasse
author_facet Mohamed Bourasse
author_sort Mohamed Bourasse
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description To read Illusions perdues, the first observation that strikes the reader is the extreme diversity of the language of its characters. Balzac opens his literary language on an infinity of oral and written speeches, of a familiar, regional, diachronic nature ... And this, by the use of a diverse palette of linguistic variants, divided into sociolects, idiolects, regiolects ..., a phenomenon that some researchers call “literary heteroglossia”. All types of variation dot the novel and the Balzacian language is not homogeneous and monolithic, but heterological and heteroglossic. Our objective in this reflection is to problematize this notion of literary heteroglossia from a literary and sociolinguistic (variationist) perspective. To do this, we will study the reasons and motivations for this practice, as well as its effects and functions. Also, we will examine the pitfalls that this phenomenon can produce in the work.
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spelling doaj.art-fe7228524d9641bd8b0b897ef531e1eb2022-12-22T00:34:11ZengUniversidade Federal do Rio Grande do NorteRevista Odisséia1983-24352021-11-01623353https://doi.org/10.21680/1983-2435.2021v6n2ID24242Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limitesMohamed Bourasse0https://orcid.org/0000-0002-9429-4358Faculté des Lettres et Sciences humaines à KénitraTo read Illusions perdues, the first observation that strikes the reader is the extreme diversity of the language of its characters. Balzac opens his literary language on an infinity of oral and written speeches, of a familiar, regional, diachronic nature ... And this, by the use of a diverse palette of linguistic variants, divided into sociolects, idiolects, regiolects ..., a phenomenon that some researchers call “literary heteroglossia”. All types of variation dot the novel and the Balzacian language is not homogeneous and monolithic, but heterological and heteroglossic. Our objective in this reflection is to problematize this notion of literary heteroglossia from a literary and sociolinguistic (variationist) perspective. To do this, we will study the reasons and motivations for this practice, as well as its effects and functions. Also, we will examine the pitfalls that this phenomenon can produce in the work.https://periodicos.ufrn.br/odisseia/article/view/24242literary heteroglossiabalzacillusions perdueslinguistic variation
spellingShingle Mohamed Bourasse
Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites
Revista Odisséia
literary heteroglossia
balzac
illusions perdues
linguistic variation
title Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites
title_full Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites
title_fullStr Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites
title_full_unstemmed Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites
title_short Heteroglossia literária nas ilusões perdidas de Balzac: razões, funções e limites
title_sort heteroglossia literaria nas ilusoes perdidas de balzac razoes funcoes e limites
topic literary heteroglossia
balzac
illusions perdues
linguistic variation
url https://periodicos.ufrn.br/odisseia/article/view/24242
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