“Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul

AbstractThe works of the Nobel laureate Sir Vidiadhar Surajparasad Naipaul, generally known as V. S. Naipaul, have been more criticized than critiqued. This tends to put his creative aspiration in oblivion and initiate a discourse that is quite personal, subjective, and degenerative in nature. This...

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Main Authors: Mohammad Rezaul Karim, Ramesh Sharma
Format: Article
Language:English
Published: Taylor & Francis Group 2024-12-01
Series:Cogent Arts & Humanities
Subjects:
Online Access:https://www.tandfonline.com/doi/10.1080/23311983.2023.2300199
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author Mohammad Rezaul Karim
Ramesh Sharma
author_facet Mohammad Rezaul Karim
Ramesh Sharma
author_sort Mohammad Rezaul Karim
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description AbstractThe works of the Nobel laureate Sir Vidiadhar Surajparasad Naipaul, generally known as V. S. Naipaul, have been more criticized than critiqued. This tends to put his creative aspiration in oblivion and initiate a discourse that is quite personal, subjective, and degenerative in nature. This paper using the idea of “Naipaulexity’ and “Theory Renaissance” as elaborated below and adopting a deconstructive model of analysis of four of his fictions as examples, contends that a prolific writer like Naipaul has suffered the offense of a judgmental, critical fallacy, in its conventional readership and therefore it needs a serious scrutiny. It aims to arrive at this contention through the analysis of four of his fictions, demonstrating how there evolves a counter-discourse from his texts that virtually underscores the myopic conventional criticism. Naipaulian texts are dense and thick, and accordingly demand a similar approach to their understanding.
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spelling doaj.art-fe7b36c390b44717895b9bffab33dfcf2024-01-19T07:15:07ZengTaylor & Francis GroupCogent Arts & Humanities2331-19832024-12-0111110.1080/23311983.2023.2300199“Naipaulexity”: critical convention, “Theory Renaissance” and V. S. NaipaulMohammad Rezaul Karim0Ramesh Sharma1Department of English Language and Literature, College of Science and Humanities, Prince Sattam Bin Abdulaziz University, Al Kharj, Saudi ArabiaDepartment of English, School of Humanities and Social Sciences, Assam Don Bosco University, Assam, IndiaAbstractThe works of the Nobel laureate Sir Vidiadhar Surajparasad Naipaul, generally known as V. S. Naipaul, have been more criticized than critiqued. This tends to put his creative aspiration in oblivion and initiate a discourse that is quite personal, subjective, and degenerative in nature. This paper using the idea of “Naipaulexity’ and “Theory Renaissance” as elaborated below and adopting a deconstructive model of analysis of four of his fictions as examples, contends that a prolific writer like Naipaul has suffered the offense of a judgmental, critical fallacy, in its conventional readership and therefore it needs a serious scrutiny. It aims to arrive at this contention through the analysis of four of his fictions, demonstrating how there evolves a counter-discourse from his texts that virtually underscores the myopic conventional criticism. Naipaulian texts are dense and thick, and accordingly demand a similar approach to their understanding.https://www.tandfonline.com/doi/10.1080/23311983.2023.2300199Theoryrenaissancetheory renaissancestudiescomplexitydiscourse
spellingShingle Mohammad Rezaul Karim
Ramesh Sharma
“Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul
Cogent Arts & Humanities
Theory
renaissance
theory renaissance
studies
complexity
discourse
title “Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul
title_full “Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul
title_fullStr “Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul
title_full_unstemmed “Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul
title_short “Naipaulexity”: critical convention, “Theory Renaissance” and V. S. Naipaul
title_sort naipaulexity critical convention theory renaissance and v s naipaul
topic Theory
renaissance
theory renaissance
studies
complexity
discourse
url https://www.tandfonline.com/doi/10.1080/23311983.2023.2300199
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