Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades fo...
| Main Authors: | , , , |
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| Format: | Article |
| Language: | deu |
| Published: |
University of Ljubljana Press (Založba Univerze v Ljubljani)
2021-07-01
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| Series: | Muzikološki Zbornik |
| Subjects: | |
| Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488 |
| _version_ | 1797948962590687232 |
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| author | Ke Xue Fung Ying Loo Fung Chiat Loo Xiaohang Wang |
| author_facet | Ke Xue Fung Ying Loo Fung Chiat Loo Xiaohang Wang |
| author_sort | Ke Xue |
| collection | DOAJ |
| description | The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death. |
| first_indexed | 2024-04-10T21:51:47Z |
| format | Article |
| id | doaj.art-febc5e0cecd84cf689fe83eadcac2187 |
| institution | Directory Open Access Journal |
| issn | 0580-373X 2350-4242 |
| language | deu |
| last_indexed | 2024-04-10T21:51:47Z |
| publishDate | 2021-07-01 |
| publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
| record_format | Article |
| series | Muzikološki Zbornik |
| spelling | doaj.art-febc5e0cecd84cf689fe83eadcac21872023-01-18T12:56:57ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Muzikološki Zbornik0580-373X2350-42422021-07-0157114917510.4312/mz.57.1.149-1758265Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano SoloKe Xue0Fung Ying Loo1Fung Chiat Loo2Xiaohang Wang3Beibu Gulf University, College of Humanities, Qinzhou, ChinaUniversity of Malaya, Faculty of Creative Arts, Kuala Lumpur, MalaysiaUniversity Putra Malaysia, Seri Kembangan, MalaysiaBeibu Gulf University, Qinzhou, ChinaThe ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death.https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488zhao xiaoshengcultural revolutionchinanew wave composerpiano solo workscommunism |
| spellingShingle | Ke Xue Fung Ying Loo Fung Chiat Loo Xiaohang Wang Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo Muzikološki Zbornik zhao xiaosheng cultural revolution china new wave composer piano solo works communism |
| title | Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
| title_full | Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
| title_fullStr | Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
| title_full_unstemmed | Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
| title_short | Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
| title_sort | cultural revolution and political ambivalence in zhao xiaosheng s two ballades for piano solo |
| topic | zhao xiaosheng cultural revolution china new wave composer piano solo works communism |
| url | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488 |
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