Drugs in the Family Environment, from the Cinema Perspective
The post-modern culture is highly visual. The cinema has enabled men to rebuild what is real through images. This is done in such a way that the public psycho-affective involvement is intense. The objective of this study was to describe family dynamics in the presence of drugs according to the cinem...
| Main Authors: | , , , , , |
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| Format: | Article |
| Language: | English |
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Universidade Presbiteriana Mackenzie
2008-01-01
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| Series: | Psicologia |
| Subjects: | |
| Online Access: | http://editorarevistas.mackenzie.br/index.php/ptp/article/view/753/437 |
| _version_ | 1797665716164362240 |
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| author | Eroy Aparecida da Silva Beatriz M. V. Camargo Thiago Pavin Ana Regina Noto Delmara Buscatti Vânia Sartori Maria Lúcia O. S. Formigoni |
| author_facet | Eroy Aparecida da Silva Beatriz M. V. Camargo Thiago Pavin Ana Regina Noto Delmara Buscatti Vânia Sartori Maria Lúcia O. S. Formigoni |
| author_sort | Eroy Aparecida da Silva |
| collection | DOAJ |
| description | The post-modern culture is highly visual. The cinema has enabled men to rebuild what is real through images. This is done in such a way that the public psycho-affective involvement is intense. The objective of this study was to describe family dynamics in the presence of drugs according to the cinema perspective. We chose 5 movies produced between 1995 and 2000 which involved drug use and family relationship, as follows: Bicho de sete cabeças” (Brazilian); TrainspottingTraffic, Requiem for a dream, The basketball diaries (American movies); and Trainspotting (European). We focused on scenes related to the repercussion of drug use in the family relationship. In fact, this study focused strictly on three aspects of them: family dynamics, the kind of drugs used by the household members and the family reactions to the problem. The images show some family dynamics: rigid and authoritarian, permissive and without limits, distant and dependent. They also show all the family members reactions such as anger, guilt, psychological insecurity, complicity and fear. This study made it possible to recognize how important the use of images is as didactic and therapeutic resources, both while training professionals as well as when it comes to the family therapy area.
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| first_indexed | 2024-03-11T19:49:01Z |
| format | Article |
| id | doaj.art-feccf3b89dd040e391b42f5114418e42 |
| institution | Directory Open Access Journal |
| issn | 1516-3687 1980-6906 |
| language | English |
| last_indexed | 2024-03-11T19:49:01Z |
| publishDate | 2008-01-01 |
| publisher | Universidade Presbiteriana Mackenzie |
| record_format | Article |
| series | Psicologia |
| spelling | doaj.art-feccf3b89dd040e391b42f5114418e422023-10-05T20:00:31ZengUniversidade Presbiteriana MackenziePsicologia1516-36871980-69062008-01-01101214222Drugs in the Family Environment, from the Cinema PerspectiveEroy Aparecida da Silva0Beatriz M. V. Camargo1Thiago Pavin2Ana Regina Noto Delmara Buscatti3Vânia Sartori4Maria Lúcia O. S. Formigoni5Universidade Federal de São PauloUniversidade Federal de São PauloUniversidade Federal de São PauloUniversidade Federal de São PauloUniversidade Federal de São PauloUniversidade Federal de São PauloThe post-modern culture is highly visual. The cinema has enabled men to rebuild what is real through images. This is done in such a way that the public psycho-affective involvement is intense. The objective of this study was to describe family dynamics in the presence of drugs according to the cinema perspective. We chose 5 movies produced between 1995 and 2000 which involved drug use and family relationship, as follows: Bicho de sete cabeças” (Brazilian); TrainspottingTraffic, Requiem for a dream, The basketball diaries (American movies); and Trainspotting (European). We focused on scenes related to the repercussion of drug use in the family relationship. In fact, this study focused strictly on three aspects of them: family dynamics, the kind of drugs used by the household members and the family reactions to the problem. The images show some family dynamics: rigid and authoritarian, permissive and without limits, distant and dependent. They also show all the family members reactions such as anger, guilt, psychological insecurity, complicity and fear. This study made it possible to recognize how important the use of images is as didactic and therapeutic resources, both while training professionals as well as when it comes to the family therapy area. http://editorarevistas.mackenzie.br/index.php/ptp/article/view/753/437drugsfamilymovie |
| spellingShingle | Eroy Aparecida da Silva Beatriz M. V. Camargo Thiago Pavin Ana Regina Noto Delmara Buscatti Vânia Sartori Maria Lúcia O. S. Formigoni Drugs in the Family Environment, from the Cinema Perspective Psicologia drugs family movie |
| title | Drugs in the Family Environment, from the Cinema Perspective |
| title_full | Drugs in the Family Environment, from the Cinema Perspective |
| title_fullStr | Drugs in the Family Environment, from the Cinema Perspective |
| title_full_unstemmed | Drugs in the Family Environment, from the Cinema Perspective |
| title_short | Drugs in the Family Environment, from the Cinema Perspective |
| title_sort | drugs in the family environment from the cinema perspective |
| topic | drugs family movie |
| url | http://editorarevistas.mackenzie.br/index.php/ptp/article/view/753/437 |
| work_keys_str_mv | AT eroyaparecidadasilva drugsinthefamilyenvironmentfromthecinemaperspective AT beatrizmvcamargo drugsinthefamilyenvironmentfromthecinemaperspective AT thiagopavin drugsinthefamilyenvironmentfromthecinemaperspective AT anareginanotodelmarabuscatti drugsinthefamilyenvironmentfromthecinemaperspective AT vaniasartori drugsinthefamilyenvironmentfromthecinemaperspective AT marialuciaosformigoni drugsinthefamilyenvironmentfromthecinemaperspective |