Conservation management of performing art in East Java: a case study of traditional dances
This research analyses the management of sanggar dance studios in East Java, and their role in preserving the three cultural areas where sanggar dance is performed: Arek Malangan, Mataram and Madura. Data was gathered through interviews conducted in Padepokan Mangun Darmo (for Arek culture), Tarara...
| Main Authors: | , , , |
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| Format: | Article |
| Language: | English |
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University of Bologna
2022-08-01
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| Series: | Conservation Science in Cultural Heritage |
| Subjects: | |
| Online Access: | https://conservation-science.unibo.it/article/view/15255 |
| _version_ | 1798038216340668416 |
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| author | Warih Handayaningrum Autar Abdillah Pamela Arumynathan John Vong |
| author_facet | Warih Handayaningrum Autar Abdillah Pamela Arumynathan John Vong |
| author_sort | Warih Handayaningrum |
| collection | DOAJ |
| description | This research analyses the management of sanggar dance studios in East Java, and their role in preserving the three cultural areas where sanggar dance is performed: Arek Malangan, Mataram and Madura. Data was gathered through interviews conducted in Padepokan Mangun Darmo (for Arek culture), Tarara Dance Studio (for Madura culture), Sanggar Singo and Aglar Nuswantoro (for Mataram culture), as well as through direct observation, library studies and archival data, such as documents, photos and videos. Data analysis, data reduction and data presentation were subsequently conducted and conclusions were drawn, revealing a preservation management model. The results indicate that adherence to the cultural ways of thinking adopted by the community enables the management of dance studios to be effective in strengthening cultural resilience. Subsequently, the capabilities of East Java dance studios are realized through management practices, creative work processes, and the inheritance of noble values through education. The three dance studios displayed a long-standing existence and consistency despite the changing conditions brought by globalisation, thus, suggesting that evolving culture continues to be a life guide for the people. This implies that artists and governments need to carry out conservation management efforts focusing on protecting the community’s livelihood and educating the public so as to strengthen the cultural identity and resilience of the nation. |
| first_indexed | 2024-04-11T21:37:12Z |
| format | Article |
| id | doaj.art-fef7cd89109b4f758face00081229d03 |
| institution | Directory Open Access Journal |
| issn | 1974-4951 1973-9494 |
| language | English |
| last_indexed | 2024-04-11T21:37:12Z |
| publishDate | 2022-08-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Conservation Science in Cultural Heritage |
| spelling | doaj.art-fef7cd89109b4f758face00081229d032022-12-22T04:01:43ZengUniversity of BolognaConservation Science in Cultural Heritage1974-49511973-94942022-08-012127929710.48255/1973-9494.JCSCH.21.2021.1313588Conservation management of performing art in East Java: a case study of traditional dancesWarih Handayaningrum0Autar Abdillah1Pamela Arumynathan2John Vong3Universitas Negeri Surabaya, IndonesiaUniversitas Negeri Surabaya, IndonesiaJames Cook University, SingaporeMonash University, AustraliaThis research analyses the management of sanggar dance studios in East Java, and their role in preserving the three cultural areas where sanggar dance is performed: Arek Malangan, Mataram and Madura. Data was gathered through interviews conducted in Padepokan Mangun Darmo (for Arek culture), Tarara Dance Studio (for Madura culture), Sanggar Singo and Aglar Nuswantoro (for Mataram culture), as well as through direct observation, library studies and archival data, such as documents, photos and videos. Data analysis, data reduction and data presentation were subsequently conducted and conclusions were drawn, revealing a preservation management model. The results indicate that adherence to the cultural ways of thinking adopted by the community enables the management of dance studios to be effective in strengthening cultural resilience. Subsequently, the capabilities of East Java dance studios are realized through management practices, creative work processes, and the inheritance of noble values through education. The three dance studios displayed a long-standing existence and consistency despite the changing conditions brought by globalisation, thus, suggesting that evolving culture continues to be a life guide for the people. This implies that artists and governments need to carry out conservation management efforts focusing on protecting the community’s livelihood and educating the public so as to strengthen the cultural identity and resilience of the nation.https://conservation-science.unibo.it/article/view/15255arek culturemataraman culturemadura culturemalangan culturepreservation |
| spellingShingle | Warih Handayaningrum Autar Abdillah Pamela Arumynathan John Vong Conservation management of performing art in East Java: a case study of traditional dances Conservation Science in Cultural Heritage arek culture mataraman culture madura culture malangan culture preservation |
| title | Conservation management of performing art in East Java: a case study of traditional dances |
| title_full | Conservation management of performing art in East Java: a case study of traditional dances |
| title_fullStr | Conservation management of performing art in East Java: a case study of traditional dances |
| title_full_unstemmed | Conservation management of performing art in East Java: a case study of traditional dances |
| title_short | Conservation management of performing art in East Java: a case study of traditional dances |
| title_sort | conservation management of performing art in east java a case study of traditional dances |
| topic | arek culture mataraman culture madura culture malangan culture preservation |
| url | https://conservation-science.unibo.it/article/view/15255 |
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