THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING

This article aims to discuss, albeit briefly, the evolution of the use of blood, both as a representative language but also as a work material. Connecting art and blood, not attaining to the relationship between them. Reinforcing the way blood is presented in many artworks, and has been placed as be...

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Main Authors: Norberto Stori, Antonio Xavier de Queiroz, Hânia Cecília Pilan
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2009-08-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/3338
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author Norberto Stori
Antonio Xavier de Queiroz
Hânia Cecília Pilan
author_facet Norberto Stori
Antonio Xavier de Queiroz
Hânia Cecília Pilan
author_sort Norberto Stori
collection DOAJ
description This article aims to discuss, albeit briefly, the evolution of the use of blood, both as a representative language but also as a work material. Connecting art and blood, not attaining to the relationship between them. Reinforcing the way blood is presented in many artworks, and has been placed as belonging to History, Art and human evolution, it changes and grows, as humankind itself. The purpose of this text is to generate in the reader reflections about the presence of the organic element, especially when we think about the poetry of artists who have added, and still provide value to the use of blood as an essential material for works elaboration. The power of objective or subjective communication regarding to some works that contains blood was present in several narratives from past artists, and since the end of the 60s until nowadays is used as an essential material at performances and installations.
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spelling doaj.art-fefefc772a934ca9804258be368015212022-12-22T01:20:45ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352009-08-01323001THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKINGNorberto StoriAntonio Xavier de QueirozHânia Cecília PilanThis article aims to discuss, albeit briefly, the evolution of the use of blood, both as a representative language but also as a work material. Connecting art and blood, not attaining to the relationship between them. Reinforcing the way blood is presented in many artworks, and has been placed as belonging to History, Art and human evolution, it changes and grows, as humankind itself. The purpose of this text is to generate in the reader reflections about the presence of the organic element, especially when we think about the poetry of artists who have added, and still provide value to the use of blood as an essential material for works elaboration. The power of objective or subjective communication regarding to some works that contains blood was present in several narratives from past artists, and since the end of the 60s until nowadays is used as an essential material at performances and installations.http://e-revista.unioeste.br/index.php/travessias/article/view/3338sanguearterepresentaçãohistóriamatéria.
spellingShingle Norberto Stori
Antonio Xavier de Queiroz
Hânia Cecília Pilan
THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
Travessias
sangue
arte
representação
história
matéria.
title THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_full THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_fullStr THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_full_unstemmed THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_short THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
title_sort blood in the artwork and its implications in the artistic making
topic sangue
arte
representação
história
matéria.
url http://e-revista.unioeste.br/index.php/travessias/article/view/3338
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