THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING
This article aims to discuss, albeit briefly, the evolution of the use of blood, both as a representative language but also as a work material. Connecting art and blood, not attaining to the relationship between them. Reinforcing the way blood is presented in many artworks, and has been placed as be...
Main Authors: | , , |
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Format: | Article |
Language: | Portuguese |
Published: |
Universidade Estadual do Oeste do Paraná
2009-08-01
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Series: | Travessias |
Subjects: | |
Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/3338 |
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author | Norberto Stori Antonio Xavier de Queiroz Hânia Cecília Pilan |
author_facet | Norberto Stori Antonio Xavier de Queiroz Hânia Cecília Pilan |
author_sort | Norberto Stori |
collection | DOAJ |
description | This article aims to discuss, albeit briefly, the evolution of the use of blood,
both as a representative language but also as a work material. Connecting art and blood, not
attaining to the relationship between them. Reinforcing the way blood is presented in many
artworks, and has been placed as belonging to History, Art and human evolution, it changes
and grows, as humankind itself. The purpose of this text is to generate in the reader reflections
about the presence of the organic element, especially when we think about the poetry of artists
who have added, and still provide value to the use of blood as an essential material for works
elaboration. The power of objective or subjective communication regarding to some works
that contains blood was present in several narratives from past artists, and since the end of the
60s until nowadays is used as an essential material at performances and installations. |
first_indexed | 2024-12-11T04:35:49Z |
format | Article |
id | doaj.art-fefefc772a934ca9804258be36801521 |
institution | Directory Open Access Journal |
issn | 1982-5935 |
language | Portuguese |
last_indexed | 2024-12-11T04:35:49Z |
publishDate | 2009-08-01 |
publisher | Universidade Estadual do Oeste do Paraná |
record_format | Article |
series | Travessias |
spelling | doaj.art-fefefc772a934ca9804258be368015212022-12-22T01:20:45ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352009-08-01323001THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKINGNorberto StoriAntonio Xavier de QueirozHânia Cecília PilanThis article aims to discuss, albeit briefly, the evolution of the use of blood, both as a representative language but also as a work material. Connecting art and blood, not attaining to the relationship between them. Reinforcing the way blood is presented in many artworks, and has been placed as belonging to History, Art and human evolution, it changes and grows, as humankind itself. The purpose of this text is to generate in the reader reflections about the presence of the organic element, especially when we think about the poetry of artists who have added, and still provide value to the use of blood as an essential material for works elaboration. The power of objective or subjective communication regarding to some works that contains blood was present in several narratives from past artists, and since the end of the 60s until nowadays is used as an essential material at performances and installations.http://e-revista.unioeste.br/index.php/travessias/article/view/3338sanguearterepresentaçãohistóriamatéria. |
spellingShingle | Norberto Stori Antonio Xavier de Queiroz Hânia Cecília Pilan THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING Travessias sangue arte representação história matéria. |
title | THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_full | THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_fullStr | THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_full_unstemmed | THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_short | THE BLOOD IN THE ARTWORK AND ITS IMPLICATIONS IN THE ARTISTIC MAKING |
title_sort | blood in the artwork and its implications in the artistic making |
topic | sangue arte representação história matéria. |
url | http://e-revista.unioeste.br/index.php/travessias/article/view/3338 |
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