Le paysage, lieu d’un repaysement
Artists and writers, whether exiled or merely seeking a change of scenery, have often chosen the Mediterranean or, more generally, the South, as the ideal spot, a space in which they can create, or write. In 1934 Ossip Zadkine chose to set up a studio in Arques, in the Lot, and it was beneath a ligh...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2017-11-01
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| Series: | Caliban: French Journal of English Studies |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caliban/5205 |
| _version_ | 1797311089662230528 |
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| author | Cécile Oumhani |
| author_facet | Cécile Oumhani |
| author_sort | Cécile Oumhani |
| collection | DOAJ |
| description | Artists and writers, whether exiled or merely seeking a change of scenery, have often chosen the Mediterranean or, more generally, the South, as the ideal spot, a space in which they can create, or write. In 1934 Ossip Zadkine chose to set up a studio in Arques, in the Lot, and it was beneath a light that he perceived as Southern that he rediscovered the presence of trees and a soil which nourished his sculpture-work. Just as Lawrence Durrell liked to say that we are "the children of our landscapes," so the South became for Zadkine a place of rebirth or at least of reinvention. |
| first_indexed | 2024-03-08T01:52:33Z |
| format | Article |
| id | doaj.art-ff33b82ac35943bdb0eba84f6ec28bc1 |
| institution | Directory Open Access Journal |
| issn | 2425-6250 2431-1766 |
| language | English |
| last_indexed | 2024-03-08T01:52:33Z |
| publishDate | 2017-11-01 |
| publisher | Presses Universitaires du Midi |
| record_format | Article |
| series | Caliban: French Journal of English Studies |
| spelling | doaj.art-ff33b82ac35943bdb0eba84f6ec28bc12024-02-14T09:26:22ZengPresses Universitaires du MidiCaliban: French Journal of English Studies2425-62502431-17662017-11-015834535510.4000/caliban.5205Le paysage, lieu d’un repaysementCécile OumhaniArtists and writers, whether exiled or merely seeking a change of scenery, have often chosen the Mediterranean or, more generally, the South, as the ideal spot, a space in which they can create, or write. In 1934 Ossip Zadkine chose to set up a studio in Arques, in the Lot, and it was beneath a light that he perceived as Southern that he rediscovered the presence of trees and a soil which nourished his sculpture-work. Just as Lawrence Durrell liked to say that we are "the children of our landscapes," so the South became for Zadkine a place of rebirth or at least of reinvention.https://journals.openedition.org/caliban/5205paysagesculpturearchitectureexilart romanmer |
| spellingShingle | Cécile Oumhani Le paysage, lieu d’un repaysement Caliban: French Journal of English Studies paysage sculpture architecture exil art roman mer |
| title | Le paysage, lieu d’un repaysement |
| title_full | Le paysage, lieu d’un repaysement |
| title_fullStr | Le paysage, lieu d’un repaysement |
| title_full_unstemmed | Le paysage, lieu d’un repaysement |
| title_short | Le paysage, lieu d’un repaysement |
| title_sort | le paysage lieu d un repaysement |
| topic | paysage sculpture architecture exil art roman mer |
| url | https://journals.openedition.org/caliban/5205 |
| work_keys_str_mv | AT cecileoumhani lepaysagelieudunrepaysement |