A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology

Today, it is widely accepted that typology is a biased and inconsistent attempt to classify archaeological material based on the similarity of a predefined set of features. In this respect, machine learning (ML) works similar to typology. ML approaches are often deployed because it is thought that t...

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Main Authors: Horn Christian, Green Ashely, Skärström Victor Wåhlstrand, Lindhé Cecilia, Peternell Mark, Ling Johan
Format: Article
Language:English
Published: De Gruyter 2022-12-01
Series:Open Archaeology
Subjects:
Online Access:https://doi.org/10.1515/opar-2022-0277
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author Horn Christian
Green Ashely
Skärström Victor Wåhlstrand
Lindhé Cecilia
Peternell Mark
Ling Johan
author_facet Horn Christian
Green Ashely
Skärström Victor Wåhlstrand
Lindhé Cecilia
Peternell Mark
Ling Johan
author_sort Horn Christian
collection DOAJ
description Today, it is widely accepted that typology is a biased and inconsistent attempt to classify archaeological material based on the similarity of a predefined set of features. In this respect, machine learning (ML) works similar to typology. ML approaches are often deployed because it is thought that they reduce biases. However, biases are introduced into the process at many points, e.g., feature selection. In a project applying ML to Scandinavian rock art data, it was noticed that the algorithm struggles with classifying certain motifs correctly. This contribution discusses the consistency in applying biases by ML in contrast to the inconsistency of human classification. It is argued that it is necessary to bring machines and humans into a meaningful dialogue attempting to understand why apparent “misclassifications” happen. This is important to inform us about the classification output, our biases, and the rock art data, which are in themself inconsistent, ambiguous, and biased because they are the outcomes of human creativity. The human inconsistency is a necessary component because in rock art not everything that looks similar has a similar meaning.
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spelling doaj.art-ff490e65103c4bc08d7bafae013fe16e2023-01-19T13:20:28ZengDe GruyterOpen Archaeology2300-65602022-12-01811218123010.1515/opar-2022-0277A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of TypologyHorn Christian0Green Ashely1Skärström Victor Wåhlstrand2Lindhé Cecilia3Peternell Mark4Ling Johan5Department of Historical Studies, Swedish Rock Art Research Archives, University of Gothenburg, Box 200, 405 30, Gothenburg, SwedenDepartment of Historical Studies, Swedish Rock Art Research Archives, University of Gothenburg, Box 200, 405 30, Gothenburg, SwedenDepartment of Literature, Centre for Digital Humanities, History of Ideas, and Religion, University of Gothenburg, Box 200, 405 30, Gothenburg, SwedenDepartment of Literature, History of Ideas, and Religion, Centre for Digital Humanities, University of Gothenburg, Box 200, 405 30, Gothenburg, SwedenDepartment of Earth Sciences, University of Gothenburg, Box 200, 405 30, Gothenburg, SwedenDepartment of Historical Studies, Swedish Rock Art Research Archives, University of Gothenburg, Box 200, 405 30, Gothenburg, SwedenToday, it is widely accepted that typology is a biased and inconsistent attempt to classify archaeological material based on the similarity of a predefined set of features. In this respect, machine learning (ML) works similar to typology. ML approaches are often deployed because it is thought that they reduce biases. However, biases are introduced into the process at many points, e.g., feature selection. In a project applying ML to Scandinavian rock art data, it was noticed that the algorithm struggles with classifying certain motifs correctly. This contribution discusses the consistency in applying biases by ML in contrast to the inconsistency of human classification. It is argued that it is necessary to bring machines and humans into a meaningful dialogue attempting to understand why apparent “misclassifications” happen. This is important to inform us about the classification output, our biases, and the rock art data, which are in themself inconsistent, ambiguous, and biased because they are the outcomes of human creativity. The human inconsistency is a necessary component because in rock art not everything that looks similar has a similar meaning.https://doi.org/10.1515/opar-2022-0277machine learningsegmentationtypologysimilarityhuman creativityrock art
spellingShingle Horn Christian
Green Ashely
Skärström Victor Wåhlstrand
Lindhé Cecilia
Peternell Mark
Ling Johan
A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology
Open Archaeology
machine learning
segmentation
typology
similarity
human creativity
rock art
title A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology
title_full A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology
title_fullStr A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology
title_full_unstemmed A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology
title_short A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology
title_sort boat is a boat is a boat unless it is a horse rethinking the role of typology
topic machine learning
segmentation
typology
similarity
human creativity
rock art
url https://doi.org/10.1515/opar-2022-0277
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