Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī

The Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111) is one of the most often cited authors when it comes to "music and Islam." His “Book on the Etiquette of Listening and Ecstasy” (*Kitāb Ādāb as-samāʿ wa-l-wajd*), translated into English more than a hundred years ago, is widely circulate...

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Main Author: Ines Weinrich
Format: Article
Language:English
Published: CERES / KHK Bochum 2019-12-01
Series:Entangled Religions - Interdisciplinary Journal for the Study of Religious Contact and Transfer
Subjects:
Online Access:https://er.ceres.rub.de/index.php/ER/article/view/8437
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author Ines Weinrich
author_facet Ines Weinrich
author_sort Ines Weinrich
collection DOAJ
description The Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111) is one of the most often cited authors when it comes to "music and Islam." His “Book on the Etiquette of Listening and Ecstasy” (*Kitāb Ādāb as-samāʿ wa-l-wajd*), translated into English more than a hundred years ago, is widely circulated among Muslims in the East and West, in Arabic and English, in print and on the internet. This paper re-examines the text against the background of Arab musical theory of the time when it was written, and analyses selected technical terms that allude to concepts rooted in Late Antique musical philosophy and become also tangible in the Qurʾān. al-Ghazālī recognises both aesthetic pleasure and the transformative power of sounds and gives guidance how to channel the hearing perception into a salvific experience.
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spelling doaj.art-ff588401534e4db380f59e0ae79421ab2022-12-22T03:18:09ZengCERES / KHK BochumEntangled Religions - Interdisciplinary Journal for the Study of Religious Contact and Transfer2363-66962019-12-011010.13154/er.10.2019.8437Sensing Sound: Aesthetic and Religious Experience According to al-GhazālīInes WeinrichThe Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111) is one of the most often cited authors when it comes to "music and Islam." His “Book on the Etiquette of Listening and Ecstasy” (*Kitāb Ādāb as-samāʿ wa-l-wajd*), translated into English more than a hundred years ago, is widely circulated among Muslims in the East and West, in Arabic and English, in print and on the internet. This paper re-examines the text against the background of Arab musical theory of the time when it was written, and analyses selected technical terms that allude to concepts rooted in Late Antique musical philosophy and become also tangible in the Qurʾān. al-Ghazālī recognises both aesthetic pleasure and the transformative power of sounds and gives guidance how to channel the hearing perception into a salvific experience.https://er.ceres.rub.de/index.php/ER/article/view/8437IslammusicAbū Ḥāmid al-Ghazālīsonic dimensionsMuslim ritual
spellingShingle Ines Weinrich
Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
Entangled Religions - Interdisciplinary Journal for the Study of Religious Contact and Transfer
Islam
music
Abū Ḥāmid al-Ghazālī
sonic dimensions
Muslim ritual
title Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
title_full Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
title_fullStr Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
title_full_unstemmed Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
title_short Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
title_sort sensing sound aesthetic and religious experience according to al ghazali
topic Islam
music
Abū Ḥāmid al-Ghazālī
sonic dimensions
Muslim ritual
url https://er.ceres.rub.de/index.php/ER/article/view/8437
work_keys_str_mv AT inesweinrich sensingsoundaestheticandreligiousexperienceaccordingtoalghazali