«You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s

The origin of the «noble savage» dates back to 1672, when John Dryden identified in the uncivilised «savage» the qualities of purity and carelessness. Later, the French philosopher Jean Jacques Rousseau (1754) defined the noble savage as an innocent, uncorrupted being. Even though the noble savage h...

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Main Author: Victoria Puchal Terol
Format: Article
Language:English
Published: Universidad de Extremadura 2021-07-01
Series:Anuario de Estudios Filológicos
Subjects:
Online Access:https://publicaciones.unex.es/index.php/AEF/article/view/626
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author Victoria Puchal Terol
author_facet Victoria Puchal Terol
author_sort Victoria Puchal Terol
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description The origin of the «noble savage» dates back to 1672, when John Dryden identified in the uncivilised «savage» the qualities of purity and carelessness. Later, the French philosopher Jean Jacques Rousseau (1754) defined the noble savage as an innocent, uncorrupted being. Even though the noble savage has been usually represented as man, we can also find female noble savages in literature. This article examines the representation of the female noble savage in London’s sensation drama of the mid-nineteenth century. We first propose to review the figures of both the male and female noble savages, considering also their popular iconography. We offer then two case studies: the anonymous works Cahontas, the Delaware’s Daughter (1860) and The Prairie Flower (1860). The protagonists of these Western plays will give us the opportunity to explore the representation and public perception of the female noble savage.
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spelling doaj.art-ff713cdf6fc5472585202e6e7a9f41a72022-12-21T23:30:52ZengUniversidad de ExtremaduraAnuario de Estudios Filológicos0210-81782660-73012021-07-014417919810.17398/2660-7301.44.179«You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s Victoria Puchal Terol 0https://orcid.org/0000-0002-9692-259X Universidad Católica de Valencia «San Vicente Mártir» The origin of the «noble savage» dates back to 1672, when John Dryden identified in the uncivilised «savage» the qualities of purity and carelessness. Later, the French philosopher Jean Jacques Rousseau (1754) defined the noble savage as an innocent, uncorrupted being. Even though the noble savage has been usually represented as man, we can also find female noble savages in literature. This article examines the representation of the female noble savage in London’s sensation drama of the mid-nineteenth century. We first propose to review the figures of both the male and female noble savages, considering also their popular iconography. We offer then two case studies: the anonymous works Cahontas, the Delaware’s Daughter (1860) and The Prairie Flower (1860). The protagonists of these Western plays will give us the opportunity to explore the representation and public perception of the female noble savage.https://publicaciones.unex.es/index.php/AEF/article/view/626noble savagefemale noble savagemelodramasensation playstheatre
spellingShingle Victoria Puchal Terol
«You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s
Anuario de Estudios Filológicos
noble savage
female noble savage
melodrama
sensation plays
theatre
title «You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s
title_full «You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s
title_fullStr «You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s
title_full_unstemmed «You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s
title_short «You saved her life and she adores you for it»: The female noble savage in the English melodrama of the 1860s
title_sort you saved her life and she adores you for it the female noble savage in the english melodrama of the 1860s
topic noble savage
female noble savage
melodrama
sensation plays
theatre
url https://publicaciones.unex.es/index.php/AEF/article/view/626
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