THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA

Guillermo Arriaga, fiction and screen writer seems to demonstrate a deep interest in Death as an important theme all over his work. We can verify it in films such as Amores Brutos (2000), 21 gramas (2003) and Babel (2006), but especially in his last novel published in Brazilnamed Um doce aroma de mo...

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Main Author: Bárbara Cristina Marques
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2009-04-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/3269
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author Bárbara Cristina Marques
author_facet Bárbara Cristina Marques
author_sort Bárbara Cristina Marques
collection DOAJ
description Guillermo Arriaga, fiction and screen writer seems to demonstrate a deep interest in Death as an important theme all over his work. We can verify it in films such as Amores Brutos (2000), 21 gramas (2003) and Babel (2006), but especially in his last novel published in Brazilnamed Um doce aroma de morte (2007). Using the countryside of Mexico, an arid and miserable region as the scenario for his story, the author demonstrates the way death can become something sacred. Death in Um doce aroma de morte appears in his narrative as a construction that uses the limit as its main element, manifested in situations where a curious contemplation of the livid, naked and aromatic body of Adela emerges. The bad smell and the degradation of the body that serve as evidence for the physical death are diluted in the bittersweet floral smell that gives off from Adelas body. In this way, thinking Death as a sort of leit motiv in the Arraigas narrative we purpose to understand it in two different movements: The ritual that involves the deaths body and the sacred aura related to the characters death.
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spelling doaj.art-ffe6e7dfeaf94f11aeed2e833fb2f7532022-12-22T01:20:53ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352009-04-01312944THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGABárbara Cristina MarquesGuillermo Arriaga, fiction and screen writer seems to demonstrate a deep interest in Death as an important theme all over his work. We can verify it in films such as Amores Brutos (2000), 21 gramas (2003) and Babel (2006), but especially in his last novel published in Brazilnamed Um doce aroma de morte (2007). Using the countryside of Mexico, an arid and miserable region as the scenario for his story, the author demonstrates the way death can become something sacred. Death in Um doce aroma de morte appears in his narrative as a construction that uses the limit as its main element, manifested in situations where a curious contemplation of the livid, naked and aromatic body of Adela emerges. The bad smell and the degradation of the body that serve as evidence for the physical death are diluted in the bittersweet floral smell that gives off from Adelas body. In this way, thinking Death as a sort of leit motiv in the Arraigas narrative we purpose to understand it in two different movements: The ritual that involves the deaths body and the sacred aura related to the characters death.http://e-revista.unioeste.br/index.php/travessias/article/view/3269mortenarrativaguilhermo arriagasagrado.
spellingShingle Bárbara Cristina Marques
THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA
Travessias
morte
narrativa
guilhermo arriaga
sagrado.
title THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA
title_full THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA
title_fullStr THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA
title_full_unstemmed THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA
title_short THE SACRED VALUE OF DEATH IN UM DOCE AROMA DE MORTE, FROM GUILLERMO ARRIAGA
title_sort sacred value of death in um doce aroma de morte from guillermo arriaga
topic morte
narrativa
guilhermo arriaga
sagrado.
url http://e-revista.unioeste.br/index.php/travessias/article/view/3269
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