21L.011 The Film Experience, Fall 2012
This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students d...
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| Formato: | Learning Object |
| Idioma: | en-US |
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2012
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| Acesso em linha: | http://hdl.handle.net/1721.1/102063 |
| _version_ | 1826193078568878080 |
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| author | Thorburn, David |
| author2 | Massachusetts Institute of Technology. Literature Section |
| author_facet | Massachusetts Institute of Technology. Literature Section Thorburn, David |
| author_sort | Thorburn, David |
| collection | MIT |
| description | This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang. |
| first_indexed | 2024-09-23T09:33:25Z |
| format | Learning Object |
| id | mit-1721.1/102063 |
| institution | Massachusetts Institute of Technology |
| language | en-US |
| last_indexed | 2025-03-10T07:57:15Z |
| publishDate | 2012 |
| record_format | dspace |
| spelling | mit-1721.1/1020632025-02-21T15:47:46Z 21L.011 The Film Experience, Fall 2012 The Film Experience Thorburn, David Massachusetts Institute of Technology. Literature Section film history American culture Hollywood Fred Ott early film D.W. Griffith Buster Keaton Charlie Chaplin Renoir, Ford Hitchcock Altman, DeSica narrative video visual communication storytelling media hollywood cinema movie This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang. 2012-12 Learning Object 21L.011-Fall2012 local: 21L.011 local: IMSCP-MD5-a70498ecc7b88ee851e998c9f5ff0cfd http://hdl.handle.net/1721.1/102063 en-US Usage Restrictions: This site (c) Massachusetts Institute of Technology 2016. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. Usage Restrictions: Attribution-NonCommercial-ShareAlike 3.0 Unported http://creativecommons.org/licenses/by-nc-sa/3.0/ text/html Fall 2012 |
| spellingShingle | film history American culture Hollywood Fred Ott early film D.W. Griffith Buster Keaton Charlie Chaplin Renoir, Ford Hitchcock Altman, DeSica narrative video visual communication storytelling media hollywood cinema movie Thorburn, David 21L.011 The Film Experience, Fall 2012 |
| title | 21L.011 The Film Experience, Fall 2012 |
| title_full | 21L.011 The Film Experience, Fall 2012 |
| title_fullStr | 21L.011 The Film Experience, Fall 2012 |
| title_full_unstemmed | 21L.011 The Film Experience, Fall 2012 |
| title_short | 21L.011 The Film Experience, Fall 2012 |
| title_sort | 21l 011 the film experience fall 2012 |
| topic | film history American culture Hollywood Fred Ott early film D.W. Griffith Buster Keaton Charlie Chaplin Renoir, Ford Hitchcock Altman, DeSica narrative video visual communication storytelling media hollywood cinema movie |
| url | http://hdl.handle.net/1721.1/102063 |
| work_keys_str_mv | AT thorburndavid 21l011thefilmexperiencefall2012 AT thorburndavid thefilmexperience |