21L.011 The Film Experience, Fall 2012

This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students d...

Szczegółowa specyfikacja

Opis bibliograficzny
1. autor: Thorburn, David
Kolejni autorzy: Massachusetts Institute of Technology. Literature Section
Format: Learning Object
Język:en-US
Wydane: 2012
Hasła przedmiotowe:
Dostęp online:http://hdl.handle.net/1721.1/102063
_version_ 1826193078568878080
author Thorburn, David
author2 Massachusetts Institute of Technology. Literature Section
author_facet Massachusetts Institute of Technology. Literature Section
Thorburn, David
author_sort Thorburn, David
collection MIT
description This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang.
first_indexed 2024-09-23T09:33:25Z
format Learning Object
id mit-1721.1/102063
institution Massachusetts Institute of Technology
language en-US
last_indexed 2025-03-10T07:57:15Z
publishDate 2012
record_format dspace
spelling mit-1721.1/1020632025-02-21T15:47:46Z 21L.011 The Film Experience, Fall 2012 The Film Experience Thorburn, David Massachusetts Institute of Technology. Literature Section film history American culture Hollywood Fred Ott early film D.W. Griffith Buster Keaton Charlie Chaplin Renoir, Ford Hitchcock Altman, DeSica narrative video visual communication storytelling media hollywood cinema movie This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang. 2012-12 Learning Object 21L.011-Fall2012 local: 21L.011 local: IMSCP-MD5-a70498ecc7b88ee851e998c9f5ff0cfd http://hdl.handle.net/1721.1/102063 en-US Usage Restrictions: This site (c) Massachusetts Institute of Technology 2016. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. Usage Restrictions: Attribution-NonCommercial-ShareAlike 3.0 Unported http://creativecommons.org/licenses/by-nc-sa/3.0/ text/html Fall 2012
spellingShingle film history
American culture
Hollywood
Fred Ott
early film
D.W. Griffith
Buster Keaton
Charlie Chaplin
Renoir, Ford
Hitchcock
Altman, DeSica
narrative
video
visual communication
storytelling
media
hollywood
cinema
movie
Thorburn, David
21L.011 The Film Experience, Fall 2012
title 21L.011 The Film Experience, Fall 2012
title_full 21L.011 The Film Experience, Fall 2012
title_fullStr 21L.011 The Film Experience, Fall 2012
title_full_unstemmed 21L.011 The Film Experience, Fall 2012
title_short 21L.011 The Film Experience, Fall 2012
title_sort 21l 011 the film experience fall 2012
topic film history
American culture
Hollywood
Fred Ott
early film
D.W. Griffith
Buster Keaton
Charlie Chaplin
Renoir, Ford
Hitchcock
Altman, DeSica
narrative
video
visual communication
storytelling
media
hollywood
cinema
movie
url http://hdl.handle.net/1721.1/102063
work_keys_str_mv AT thorburndavid 21l011thefilmexperiencefall2012
AT thorburndavid thefilmexperience