Spaces that perform themselves

Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2017.

Bibliographic Details
Main Author: L'Huillier, Nicole (L'Huillier Chaparro)
Other Authors: Tod Machover.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2018
Subjects:
Online Access:http://hdl.handle.net/1721.1/114067
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author L'Huillier, Nicole (L'Huillier Chaparro)
author2 Tod Machover.
author_facet Tod Machover.
L'Huillier, Nicole (L'Huillier Chaparro)
author_sort L'Huillier, Nicole (L'Huillier Chaparro)
collection MIT
description Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2017.
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spelling mit-1721.1/1140672019-04-12T12:10:26Z Spaces that perform themselves L'Huillier, Nicole (L'Huillier Chaparro) Tod Machover. Program in Media Arts and Sciences (Massachusetts Institute of Technology) Program in Media Arts and Sciences (Massachusetts Institute of Technology) Program in Media Arts and Sciences () Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2017. Cataloged from PDF version of thesis. Includes bibliographical references (pages 153-155). Building on the understanding of music and architecture as creators of spatial experience, this thesis presents a novel way of unfolding music's spatial qualities in the physical world. Spaces That Perform Themselves exposes an innovative response to the current relationship between sound and space: where we build static spaces to contain dynamic sounds. What if we change the static parameter of the spaces and start building dynamic spaces to contain dynamic sounds? A multi-sensory kinetic architectural system is built in order to augment our sonic perception through a cross-modal spatial choreography that combines sound, movement, light, color, and vibration. By breaking down boundaries between music and architecture, possibilities of a new typology that morphs responsively with a musical piece can be explored. As a result, spatial and musical composition can exist as one synchronous entity. This project seeks to contribute a novel perspective on leveraging technology, design, science, and art to provide a setting to enrich and augment the way we relate with the built environment. The objective is to enhance our perception and challenge models of thinking by presenting a post-humanistic phenomenological encounter of the world. by Nicole L'Huillier. S.M. 2018-03-12T19:28:27Z 2018-03-12T19:28:27Z 2017 2017 Thesis http://hdl.handle.net/1721.1/114067 1026503540 eng MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission. http://dspace.mit.edu/handle/1721.1/7582 155, [1] pages application/pdf Massachusetts Institute of Technology
spellingShingle Program in Media Arts and Sciences ()
L'Huillier, Nicole (L'Huillier Chaparro)
Spaces that perform themselves
title Spaces that perform themselves
title_full Spaces that perform themselves
title_fullStr Spaces that perform themselves
title_full_unstemmed Spaces that perform themselves
title_short Spaces that perform themselves
title_sort spaces that perform themselves
topic Program in Media Arts and Sciences ()
url http://hdl.handle.net/1721.1/114067
work_keys_str_mv AT lhuilliernicolelhuillierchaparro spacesthatperformthemselves