Hokusai's Great Wave Enters the Anthropocene

Katsushika Hokusai's 1829 woodblock print, “Under the Wave off Kanagawa,” is the world's most iconic portrait of ocean waves. It has been reproduced, quoted, and repurposed over the last two centuries in a widening circle of representations of the unruly, powerful sea. Today's reimagi...

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Main Author: Helmreich, Stefan
Other Authors: Massachusetts Institute of Technology. Anthropology Program
Format: Article
Published: Duke University Press 2018
Online Access:http://hdl.handle.net/1721.1/114600
https://orcid.org/0000-0003-0859-5881
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author Helmreich, Stefan
author2 Massachusetts Institute of Technology. Anthropology Program
author_facet Massachusetts Institute of Technology. Anthropology Program
Helmreich, Stefan
author_sort Helmreich, Stefan
collection MIT
description Katsushika Hokusai's 1829 woodblock print, “Under the Wave off Kanagawa,” is the world's most iconic portrait of ocean waves. It has been reproduced, quoted, and repurposed over the last two centuries in a widening circle of representations of the unruly, powerful sea. Today's reimaginings of this storied Japanese image often remark upon the dangerous, damaged state of the contemporary ocean. Such commentaries sometimes refer directly to the 2011 tsunami and to its associated Fukushima nuclear power plant disaster. But adaptations of Hokusai's Wave these days also increasingly point to more general anxieties about catastrophic climate change and to worries about ocean pollution, acidification, and plastification. In such usages, the Wave operates as a synecdoche for, a symbolic capture of, the difficult-to-apprehend vastness of the ever-moving, interconnecting, and possibly threatening sea.
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spelling mit-1721.1/1146002022-09-29T10:54:04Z Hokusai's Great Wave Enters the Anthropocene Helmreich, Stefan Massachusetts Institute of Technology. Anthropology Program Massachusetts Institute of Technology. Department of Humanities Massachusetts Institute of Technology. School of Humanities, Arts, and Social Sciences Helmreich, Stefan Katsushika Hokusai's 1829 woodblock print, “Under the Wave off Kanagawa,” is the world's most iconic portrait of ocean waves. It has been reproduced, quoted, and repurposed over the last two centuries in a widening circle of representations of the unruly, powerful sea. Today's reimaginings of this storied Japanese image often remark upon the dangerous, damaged state of the contemporary ocean. Such commentaries sometimes refer directly to the 2011 tsunami and to its associated Fukushima nuclear power plant disaster. But adaptations of Hokusai's Wave these days also increasingly point to more general anxieties about catastrophic climate change and to worries about ocean pollution, acidification, and plastification. In such usages, the Wave operates as a synecdoche for, a symbolic capture of, the difficult-to-apprehend vastness of the ever-moving, interconnecting, and possibly threatening sea. 2018-04-06T19:23:19Z 2018-04-06T19:23:19Z 2016-05 2018-03-12T15:21:38Z Article http://purl.org/eprint/type/JournalArticle 2201-1919 2201-1919 http://hdl.handle.net/1721.1/114600 Helmreich, Stefan. “Hokusai’s Great Wave Enters the Anthropocene.” Environmental Humanities 7, no. 1 (2015): 203–217. © 2105 Stefan Helmreich https://orcid.org/0000-0003-0859-5881 http://dx.doi.org/10.1215/22011919-3616407 Environmental Humanities Creative Commons Attribution-NonCommercial-NoDerivs License http://creativecommons.org/licenses/by-nc-nd/3.0/ application/pdf Duke University Press Duke University Press
spellingShingle Helmreich, Stefan
Hokusai's Great Wave Enters the Anthropocene
title Hokusai's Great Wave Enters the Anthropocene
title_full Hokusai's Great Wave Enters the Anthropocene
title_fullStr Hokusai's Great Wave Enters the Anthropocene
title_full_unstemmed Hokusai's Great Wave Enters the Anthropocene
title_short Hokusai's Great Wave Enters the Anthropocene
title_sort hokusai s great wave enters the anthropocene
url http://hdl.handle.net/1721.1/114600
https://orcid.org/0000-0003-0859-5881
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