Pitch Accent in Korean

Typologically, pitch-accent languages stand between stress languages like Spanish and tone languages like Shona, and share properties of both. In a stress language typically just one syllable per word is accented and bears the major stress (cf. Spanish sábana ‘sheet’, sabána ‘plain’, Panamá). In a t...

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Main Authors: Ito, Chiyuki, Kenstowicz, Michael
其他作者: Massachusetts Institute of Technology. Department of Linguistics and Philosophy
格式: 文件
语言:en_US
出版: Oxford University Press 2018
在线阅读:http://hdl.handle.net/1721.1/116721
https://orcid.org/0000-0001-6490-1420
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author Ito, Chiyuki
Kenstowicz, Michael
author2 Massachusetts Institute of Technology. Department of Linguistics and Philosophy
author_facet Massachusetts Institute of Technology. Department of Linguistics and Philosophy
Ito, Chiyuki
Kenstowicz, Michael
author_sort Ito, Chiyuki
collection MIT
description Typologically, pitch-accent languages stand between stress languages like Spanish and tone languages like Shona, and share properties of both. In a stress language typically just one syllable per word is accented and bears the major stress (cf. Spanish sábana ‘sheet’, sabána ‘plain’, Panamá). In a tone language the number of distinctions grows geometrically with the size of the word. So in Shona, which contrasts high vs. low tone, trisyllabic words have eight possible pitch patterns. In a canonical pitch-accent language such as Japanese, just one syllable (or mora) per word is singled out as distinctive, as in Spanish. But each syllable in the word is assigned a high or low tone (as in Shona); however, this assignment is predictable based on the location of the accented syllableKeywords: tonal accent, diachrony, phonetic realization, compounds, phonological phrases, loanwords, frequency, reconstruction
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spelling mit-1721.1/1167212022-09-29T18:38:32Z Pitch Accent in Korean Ito, Chiyuki Kenstowicz, Michael Massachusetts Institute of Technology. Department of Linguistics and Philosophy Kenstowicz, Michael J. Ito, Chiyuki Kenstowicz, Michael Typologically, pitch-accent languages stand between stress languages like Spanish and tone languages like Shona, and share properties of both. In a stress language typically just one syllable per word is accented and bears the major stress (cf. Spanish sábana ‘sheet’, sabána ‘plain’, Panamá). In a tone language the number of distinctions grows geometrically with the size of the word. So in Shona, which contrasts high vs. low tone, trisyllabic words have eight possible pitch patterns. In a canonical pitch-accent language such as Japanese, just one syllable (or mora) per word is singled out as distinctive, as in Spanish. But each syllable in the word is assigned a high or low tone (as in Shona); however, this assignment is predictable based on the location of the accented syllableKeywords: tonal accent, diachrony, phonetic realization, compounds, phonological phrases, loanwords, frequency, reconstruction 2018-07-02T17:39:17Z 2018-07-02T17:39:17Z 2017-04 Article http://purl.org/eprint/type/BookItem http://hdl.handle.net/1721.1/116721 Ito, Chiyuki and Michael J. Kenstowicz. "Pitch Accent in Korean." Oxford Research Encyclopedia of Linguistics, edited by Heidi Harley and Shigeru Miyagawa, Oxford University Press, 2017. https://orcid.org/0000-0001-6490-1420 en_US http://dx.doi.org/10.1093/acrefore/9780199384655.013.242 Oxford Research Encyclopedia of Linguistics Creative Commons Attribution-Noncommercial-Share Alike http://creativecommons.org/licenses/by-nc-sa/4.0/ application/pdf Oxford University Press Prof. Kenstowicz
spellingShingle Ito, Chiyuki
Kenstowicz, Michael
Pitch Accent in Korean
title Pitch Accent in Korean
title_full Pitch Accent in Korean
title_fullStr Pitch Accent in Korean
title_full_unstemmed Pitch Accent in Korean
title_short Pitch Accent in Korean
title_sort pitch accent in korean
url http://hdl.handle.net/1721.1/116721
https://orcid.org/0000-0001-6490-1420
work_keys_str_mv AT itochiyuki pitchaccentinkorean
AT kenstowiczmichael pitchaccentinkorean