| Summary: | The Appalachian region has been systematically stereotyped in popular media representations for over a century, contributing to many of the structural, economic, and psychological challenges faced by those who live there. In order to solve this issue, it is necessary to produce compelling counter-representations which undermine the dominant regime of representation around Appalachia.
In this thesis, I explore some of the most common image types used to represent Appalachia in popular media and assess the potential of co-creative documentary practices to create representations which challenge these harmful images. I begin with an explanation of the importance of representation, drawing from the work of Stuart Hall in cultural studies, and an introduction to co-creative methodologies in media production. Next, I recount the history of four tropes commonly used to represent Appalachia in popular media. Finally, I examine two co-creative documentaries set in the Appalachian region – Elaine McMillion Sheldon’s Hollow and my own The Appalachian Retelling Project – to assess these projects’ approaches to co-creation and the counter-narratives that emerge from them. Ultimately, I argue that co-creation is an effective methodology for producing compelling counter-representations of Appalachia and for other groups like it who have been systematically misrepresented.
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