Towards Public Housing: Architecture as (Prop)aganda
Capitalism sustains crisis, most acutely the housing crisis. The only way out is to de-commodify housing, since a building alone, despite architects’ aspirations, cannot tackle a system. This thesis claims that built architecture alone ineffectively challenges regulatory systems. Resistance’s power,...
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| Format: | Thesis |
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Massachusetts Institute of Technology
2023
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| Online Access: | https://hdl.handle.net/1721.1/150256 |
| _version_ | 1811087866840743936 |
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| author | Kim, Jayson |
| author2 | Dutta, Arindam |
| author_facet | Dutta, Arindam Kim, Jayson |
| author_sort | Kim, Jayson |
| collection | MIT |
| description | Capitalism sustains crisis, most acutely the housing crisis. The only way out is to de-commodify housing, since a building alone, despite architects’ aspirations, cannot tackle a system. This thesis claims that built architecture alone ineffectively challenges regulatory systems. Resistance’s power, then, lies not in the physical, but in the psychological. To work towards de-commodifying housing, architects need to envision themselves as engaging in psychological warfare. We need to adopt propaganda as a method to rewrite the cultural narrative where single-family homeownership antagonizes public housing. We need to shift paradigms from homeownership to home-usership. This thesis proposes collaborations with tenant advocacy groups to create propaganda in the form of guerrilla theater that engages in psychological warfare against prevailing conceptions of homeownership. The architect designs stage sets that advocacy groups will weaponize. Orchestrated together, the guerilla theater performs at town hall meetings. Borrowing Bertolt Brecht’s techniques of the epic theater, in particular critical distancing, each act works with architectural props to challenge the role we, inside the belly of the whale, play in this theater of the housing crisis. The thesis proposes sets for three acts. Act One, “A City is Born,” depicts the optimism and prosperity that came with the suburbanization experiment of post-WWII United States. Act Two, “Commodification of Domesticity,” describes housing today. Using approaches from the volumes Neighborhood Defenders and Thoughts on Building Strong Towns, this act paints a portrait of competing interests involved in the landscape of housing in Los Angeles. Act Three, “All That is Solid Melts into Air,” sketches the inevitable doom that forces the audience to reconsider homeownership in favor of home-usership. Questioning representations of public housing as matters of economic necessity, Towards Public Housing works to destigmatize public housing and home-usership and emphasize a more equitable future of American housing. |
| first_indexed | 2024-09-23T13:53:08Z |
| format | Thesis |
| id | mit-1721.1/150256 |
| institution | Massachusetts Institute of Technology |
| last_indexed | 2024-09-23T13:53:08Z |
| publishDate | 2023 |
| publisher | Massachusetts Institute of Technology |
| record_format | dspace |
| spelling | mit-1721.1/1502562023-04-01T03:26:03Z Towards Public Housing: Architecture as (Prop)aganda Kim, Jayson Dutta, Arindam Massachusetts Institute of Technology. Department of Architecture Capitalism sustains crisis, most acutely the housing crisis. The only way out is to de-commodify housing, since a building alone, despite architects’ aspirations, cannot tackle a system. This thesis claims that built architecture alone ineffectively challenges regulatory systems. Resistance’s power, then, lies not in the physical, but in the psychological. To work towards de-commodifying housing, architects need to envision themselves as engaging in psychological warfare. We need to adopt propaganda as a method to rewrite the cultural narrative where single-family homeownership antagonizes public housing. We need to shift paradigms from homeownership to home-usership. This thesis proposes collaborations with tenant advocacy groups to create propaganda in the form of guerrilla theater that engages in psychological warfare against prevailing conceptions of homeownership. The architect designs stage sets that advocacy groups will weaponize. Orchestrated together, the guerilla theater performs at town hall meetings. Borrowing Bertolt Brecht’s techniques of the epic theater, in particular critical distancing, each act works with architectural props to challenge the role we, inside the belly of the whale, play in this theater of the housing crisis. The thesis proposes sets for three acts. Act One, “A City is Born,” depicts the optimism and prosperity that came with the suburbanization experiment of post-WWII United States. Act Two, “Commodification of Domesticity,” describes housing today. Using approaches from the volumes Neighborhood Defenders and Thoughts on Building Strong Towns, this act paints a portrait of competing interests involved in the landscape of housing in Los Angeles. Act Three, “All That is Solid Melts into Air,” sketches the inevitable doom that forces the audience to reconsider homeownership in favor of home-usership. Questioning representations of public housing as matters of economic necessity, Towards Public Housing works to destigmatize public housing and home-usership and emphasize a more equitable future of American housing. M.Arch. 2023-03-31T14:43:08Z 2023-03-31T14:43:08Z 2023-02 2023-02-28T18:52:06.631Z Thesis https://hdl.handle.net/1721.1/150256 In Copyright - Educational Use Permitted Copyright retained by author(s) https://rightsstatements.org/page/InC-EDU/1.0/ application/pdf Massachusetts Institute of Technology |
| spellingShingle | Kim, Jayson Towards Public Housing: Architecture as (Prop)aganda |
| title | Towards Public Housing: Architecture as (Prop)aganda |
| title_full | Towards Public Housing: Architecture as (Prop)aganda |
| title_fullStr | Towards Public Housing: Architecture as (Prop)aganda |
| title_full_unstemmed | Towards Public Housing: Architecture as (Prop)aganda |
| title_short | Towards Public Housing: Architecture as (Prop)aganda |
| title_sort | towards public housing architecture as prop aganda |
| url | https://hdl.handle.net/1721.1/150256 |
| work_keys_str_mv | AT kimjayson towardspublichousingarchitectureaspropaganda |