Mobile cinema

Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2004.

Bibliographic Details
Main Author: Pan, Pengkai, 1972-
Other Authors: Glorianna Davenport.
Format: Thesis
Language:en_US
Published: Massachusetts Institute of Technology 2005
Subjects:
Online Access:http://hdl.handle.net/1721.1/28777
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author Pan, Pengkai, 1972-
author2 Glorianna Davenport.
author_facet Glorianna Davenport.
Pan, Pengkai, 1972-
author_sort Pan, Pengkai, 1972-
collection MIT
description Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2004.
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spelling mit-1721.1/287772019-04-10T23:10:59Z Mobile cinema Pan, Pengkai, 1972- Glorianna Davenport. Massachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences. Massachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences. Architecture. Program in Media Arts and Sciences. Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2004. Includes bibliographical references (p. [157]-161). This thesis develops techniques and methods that extend the art and craft of storytelling, and in particular enable the creation of mobile cinema. Stories are always constrained by the medium in which they are told and the mode by which they are delivered to an audience. This dissertation addresses the design of content, systems, and tools that facilitate the emerging type of computational audio-visual narrative that we call mobile cinema. Storytelling in this medium requires temporally and spatially encoded narrative segments that are delivered over a wireless channel to mobile devices such as PDAs and mobile phones. These devices belong to "the audience," individuals who are navigating physical space and interact with local circumstances in the environment. This thesis examines the underlying requirements for coherent mobile narrative and explores two particular challenges which must be solved in order to make a reliable and scalable stream of content for mobile cinema: technology uncertainty (the fact that what the mobile cinema system presents may not be what the creator intends) and participation uncertainty (the fact that what the audience does may not be what the creator expects). The exploration and analysis of these problems involved prototyping two versions of the M-Views system for mobile cinema and three prototype cinematic narratives. Small user studies accompanied each production. The iterative process enabled the author to explore both aspects of uncertainty and to introduce innovations in four key areas to help address these uncertainties: practical location detection, authoring tools designed for mobile channels, responsive story presentation mechanisms, and creative story production strategies. y Pengkai Pan. Ph.D. 2005-09-27T18:17:15Z 2005-09-27T18:17:15Z 2004 2004 Thesis http://hdl.handle.net/1721.1/28777 60129186 en_US M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 161 p. 10937807 bytes 10959359 bytes application/pdf application/pdf application/pdf Massachusetts Institute of Technology
spellingShingle Architecture. Program in Media Arts and Sciences.
Pan, Pengkai, 1972-
Mobile cinema
title Mobile cinema
title_full Mobile cinema
title_fullStr Mobile cinema
title_full_unstemmed Mobile cinema
title_short Mobile cinema
title_sort mobile cinema
topic Architecture. Program in Media Arts and Sciences.
url http://hdl.handle.net/1721.1/28777
work_keys_str_mv AT panpengkai1972 mobilecinema