Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine

Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.

Bibliographic Details
Main Author: Pierce, Matthew W., 1973-
Other Authors: Fernando Domeyko.
Format: Thesis
Language:en_US
Published: Massachusetts Institute of Technology 2005
Subjects:
Online Access:http://hdl.handle.net/1721.1/28809
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author Pierce, Matthew W., 1973-
author2 Fernando Domeyko.
author_facet Fernando Domeyko.
Pierce, Matthew W., 1973-
author_sort Pierce, Matthew W., 1973-
collection MIT
description Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.
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spelling mit-1721.1/288092019-04-10T17:13:52Z Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine Pierce, Matthew W., 1973- Fernando Domeyko. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004. Vita. Includes bibliographical references (p. 67-68). The activities of mining and mine reclamation in the American West raise questions of how we perceive, value, and differentiate between 'natural' and man-made landscapes, as they produce radical alterations of the land on a magnitude seldom seen. To many, the appearance of these sites is undesirable, but aesthetic perceptions of landscape that are based solely on visual appearance are incomplete. Through the accumulation of physical experiences and a deeper understanding of the forces that continually shape the land, there lies the opportunity to develop a more complex understanding of man's place in nature, and a more comprehensive aesthetic sense. Mine reclamation typically involves the reworking of topography and development of open ended ecological systems that intend to stabilize and visually 'naturalize' the altered landscape, thus making it more acceptable to the general public. However, these landscapes are most often seen from a distance, and are rarely engaged by human occupation. The Bingham Canyon Copper Mine near Salt Lake City, Utah is one of the largest man-made excavations on earth, and has been in production for over 100 years. It is a place with a rich cultural, technological, and natural history, and a place of dynamic change and movement. The project proposes a cultural reclamation of this mining landscape in the form of a science school as a means of supporting human experience in this place over time, providing opportunities to challenge the aesthetic sense. by Matthew W. Pierce. M.Arch. 2005-09-27T18:28:06Z 2005-09-27T18:28:06Z 2004 2004 Thesis http://hdl.handle.net/1721.1/28809 60314583 en_US M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 69 p. 5998490 bytes 6005281 bytes application/pdf application/pdf application/pdf n-us-ut Massachusetts Institute of Technology
spellingShingle Architecture.
Pierce, Matthew W., 1973-
Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine
title Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine
title_full Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine
title_fullStr Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine
title_full_unstemmed Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine
title_short Constructing the aesthetic sense : traversing scales of habitation in the Bingham Canyon Mine
title_sort constructing the aesthetic sense traversing scales of habitation in the bingham canyon mine
topic Architecture.
url http://hdl.handle.net/1721.1/28809
work_keys_str_mv AT piercemattheww1973 constructingtheaestheticsensetraversingscalesofhabitationinthebinghamcanyonmine