Wayward as the Minnehaha with her moods of shade and sunshine

Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.

Bibliographic Details
Main Author: Morgan, Susan, 1979-
Other Authors: Bill Hubbard, Jr.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2006
Subjects:
Online Access:http://hdl.handle.net/1721.1/30081
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author Morgan, Susan, 1979-
author2 Bill Hubbard, Jr.
author_facet Bill Hubbard, Jr.
Morgan, Susan, 1979-
author_sort Morgan, Susan, 1979-
collection MIT
description Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.
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spelling mit-1721.1/300812019-04-12T14:55:27Z Wayward as the Minnehaha with her moods of shade and sunshine Morgan, Susan, 1979- Bill Hubbard, Jr. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004. "February 2004." Page 116 blank. Includes bibliographical references (p. 102-112). In a world which is increasingly occularcentric, architecture has the opportunity to reinvigorate experience with designs based on the perceptual systems of the human body. In comparison with the sense organs of other animals, humans are capable of acquiring information about the world almost equally with one sense as with another, for while vision is greater over distance, touch and hearing have more emotive capacity. Architectural design which is created specifically to engage the senses will not only be more physically fulfilling, but socially, culturally, and psychologically as well. Henry Wadsworth Longfellow's poem The Song of Hiawatha is used as reference for the design as it creates a tangible fictional world through the use of a memorable cadence. In addition to providing a structural background, the poem is also linked to the site: the Minnehaha parkway in Minneapolis, Minnesota, and the program: a library and an American Indian cultural museum. Each of the senses was considered to be a tool in design: sound shaping form, touch defining materials, sight defining vistas and light, and hearing refining volume and form. The final design uses a continuous ramp system as the meter of experience, allowing for various spaces to acquire unique characters as the building descends from street level underground and out to Minnehaha creek. by Susan Morgan. M.Arch. 2006-03-24T18:17:44Z 2006-03-24T18:17:44Z 2004 Thesis http://hdl.handle.net/1721.1/30081 55652510 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 116 p. 4111833 bytes 4111638 bytes application/pdf application/pdf application/pdf Massachusetts Institute of Technology
spellingShingle Architecture.
Morgan, Susan, 1979-
Wayward as the Minnehaha with her moods of shade and sunshine
title Wayward as the Minnehaha with her moods of shade and sunshine
title_full Wayward as the Minnehaha with her moods of shade and sunshine
title_fullStr Wayward as the Minnehaha with her moods of shade and sunshine
title_full_unstemmed Wayward as the Minnehaha with her moods of shade and sunshine
title_short Wayward as the Minnehaha with her moods of shade and sunshine
title_sort wayward as the minnehaha with her moods of shade and sunshine
topic Architecture.
url http://hdl.handle.net/1721.1/30081
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