Time, speed and perception : intervals in the representation of architectural space

Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.

Bibliographic Details
Main Author: Okamoto, Hiroshi, 1968-
Other Authors: Takehiko Nagakura.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2007
Subjects:
Online Access:http://hdl.handle.net/1721.1/37560
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author Okamoto, Hiroshi, 1968-
author2 Takehiko Nagakura.
author_facet Takehiko Nagakura.
Okamoto, Hiroshi, 1968-
author_sort Okamoto, Hiroshi, 1968-
collection MIT
description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.
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spelling mit-1721.1/375602019-04-10T23:18:19Z Time, speed and perception : intervals in the representation of architectural space Representation of architectural space Okamoto, Hiroshi, 1968- Takehiko Nagakura. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000. Includes bibliographical references (leaves 52-54). Although the notion of "space" in architecture is a relatively contemporary one, this research looks at the difference between the conception and representation of space and the actual material reality. With contemporary thought brought about by the modern measure, as architects formalize their ideas in representations, this paper argues that there arises a tendency to quantify and objectify the represented space and discount the experiential nature of the space. This research was initiated in reaction to this tendency to conceive of space as a given, formal static container in search of a wider notion of space as a product of interactions between various dynamics. Using small time based representational design experiments as well as specific precedents of conceptions and representations of space as running parallel points of reference; this investigation explores the element of time as one of the possible components of the various dynamics that produce space. Specifically, a non-chronological look at the modern, contemporary and pre-modern notion of time was taken to explore possible alternative conceptions and representations of space and time, contending that space is neither static or exclusive of time, nor is it a stage set for speed. In other words, this paper concludes that space and time are first and foremost products of experience. by Hiroshi Okamoto. S.M. 2007-05-16T18:58:04Z 2007-05-16T18:58:04Z 2000 2000 Thesis http://hdl.handle.net/1721.1/37560 47864577 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 54 leaves application/pdf Massachusetts Institute of Technology
spellingShingle Architecture.
Okamoto, Hiroshi, 1968-
Time, speed and perception : intervals in the representation of architectural space
title Time, speed and perception : intervals in the representation of architectural space
title_full Time, speed and perception : intervals in the representation of architectural space
title_fullStr Time, speed and perception : intervals in the representation of architectural space
title_full_unstemmed Time, speed and perception : intervals in the representation of architectural space
title_short Time, speed and perception : intervals in the representation of architectural space
title_sort time speed and perception intervals in the representation of architectural space
topic Architecture.
url http://hdl.handle.net/1721.1/37560
work_keys_str_mv AT okamotohiroshi1968 timespeedandperceptionintervalsintherepresentationofarchitecturalspace
AT okamotohiroshi1968 representationofarchitecturalspace