The medium is the medium : the convergence of video, art and television at WGBH (1969)

Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006.

Bibliographic Details
Main Author: Nadeau, James A. (James Andrew)
Other Authors: William Uricchio.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2007
Subjects:
Online Access:http://hdl.handle.net/1721.1/39146
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author Nadeau, James A. (James Andrew)
author2 William Uricchio.
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Nadeau, James A. (James Andrew)
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description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006.
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spelling mit-1721.1/391462019-04-11T05:36:22Z The medium is the medium : the convergence of video, art and television at WGBH (1969) Nadeau, James A. (James Andrew) William Uricchio. Massachusetts Institute of Technology. Dept. of Comparative Media Studies. Massachusetts Institute of Technology. Dept. of Comparative Media Studies. Comparative Media Studies. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2006. Leaf 77 blank. Includes bibliographical references (leaves 74-76). On March 23rd 1969 Boston's public television station WGBH broadcast a program titled The Medium is the Medium. The program was a half-hour long compilation of short videos by six artists. The six pieces ranged from electronically manipulated imagery set to the music of the Beatles to an attempt at communication between four separate locations through audio-visual technology. As the narrator, David Oppenheim, the cultural executive producer for the Public Television Laboratory, intones at the beginning of the show, "what happens when artists explore television?" What happened was a program unlike anything seen before. The Medium is the Medium was the result of the pairing of artists with engineers. This pairing was the brainchild of the Rockefeller Foundation, which decided to bring these two together in what was the Artists-in-Television program. Founded in 1967 it gave seed grants to two public broadcasting stations, WGBH in Boston and KQED in San Francisco. These grants enabled the stations to begin residency programs matching artists with members of their production staffs. Several of the artists in the program had made films but most were coming to this type of time-based art work for the first time. The Artists-in Television program gave these artists the opportunity to expand their ideas into an art from involving television technologies. It offered those working in more traditional media the technology and expertise to try their hands at a nascent art form, video. by James A. Nadeau. S.M. 2007-10-19T20:23:11Z 2007-10-19T20:23:11Z 2006 2006 Thesis http://hdl.handle.net/1721.1/39146 123349020 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 77 leaves application/pdf n-us-ma Massachusetts Institute of Technology
spellingShingle Comparative Media Studies.
Nadeau, James A. (James Andrew)
The medium is the medium : the convergence of video, art and television at WGBH (1969)
title The medium is the medium : the convergence of video, art and television at WGBH (1969)
title_full The medium is the medium : the convergence of video, art and television at WGBH (1969)
title_fullStr The medium is the medium : the convergence of video, art and television at WGBH (1969)
title_full_unstemmed The medium is the medium : the convergence of video, art and television at WGBH (1969)
title_short The medium is the medium : the convergence of video, art and television at WGBH (1969)
title_sort medium is the medium the convergence of video art and television at wgbh 1969
topic Comparative Media Studies.
url http://hdl.handle.net/1721.1/39146
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