Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera

Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2005.

Bibliographic Details
Main Author: McCarty, Andrea Nina
Other Authors: William Uricchio.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2009
Subjects:
Online Access:http://dspace.mit.edu/handle/1721.1/39180
http://hdl.handle.net/1721.1/39180
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author McCarty, Andrea Nina
author2 William Uricchio.
author_facet William Uricchio.
McCarty, Andrea Nina
author_sort McCarty, Andrea Nina
collection MIT
description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2005.
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spelling mit-1721.1/391802019-04-12T12:58:17Z Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera McCarty, Andrea Nina William Uricchio. Massachusetts Institute of Technology. Dept. of Comparative Media Studies. Massachusetts Institute of Technology. Dept. of Comparative Media Studies. Comparative Media Studies. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2005. Includes bibliographical references (p. 155-165). This thesis is a study of the Fisher Price PXL 2000 camera and the artists and amateurs who make films and videos with this technology. The Pixelvision camera records video onto an audiocassette; its image is low-resolution, black and white. Fisher Price marketed the PXL 2000 to children in 1987, but withdrew the camera after one year. Despite its lack of commercial success, the camera became popular with avant-garde artists, amateur film- and videomakers and collectors, sparking a renewed interest in the obsolete camera. An online community has built up around the format, providing its members with information on how to modify the camera to make it compatible with contemporary digital equipment. Although Pixelvision garners little recognition from mainstream culture, the camera's hipster cachet and perceived rarity has driven up prices in the community and in auctions. This thesis examines the position of the PXL 2000 camera within the history of moving image technology, and in the context of today's digital video equipment. How has this obsolete video camera made the transition from analog to digital? The thesis also explores Pixelvision's position in the cultural hierarchy of media, as well as the motivations of artists and users who are creating with the camera today, as it moves further and further into its obsolescence. by Andrea Nina McCarty. S.M. 2009-01-30T18:38:58Z 2009-01-30T18:38:58Z 2005 2005 Thesis http://dspace.mit.edu/handle/1721.1/39180 http://hdl.handle.net/1721.1/39180 62763009 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/39180 http://dspace.mit.edu/handle/1721.1/7582 165 p. application/pdf Massachusetts Institute of Technology
spellingShingle Comparative Media Studies.
McCarty, Andrea Nina
Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera
title Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera
title_full Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera
title_fullStr Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera
title_full_unstemmed Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera
title_short Toying with obsolescence : Pixelvision filmmakers and the Fisher Price PXL 2000 camera
title_sort toying with obsolescence pixelvision filmmakers and the fisher price pxl 2000 camera
topic Comparative Media Studies.
url http://dspace.mit.edu/handle/1721.1/39180
http://hdl.handle.net/1721.1/39180
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