Analysis of natural frequencies of concert harp soundboard shapes

Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2007.

Bibliographic Details
Main Author: Rorschach, Katherine L
Other Authors: Seth Lloyd.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2008
Subjects:
Online Access:http://hdl.handle.net/1721.1/40472
_version_ 1826195310921121792
author Rorschach, Katherine L
author2 Seth Lloyd.
author_facet Seth Lloyd.
Rorschach, Katherine L
author_sort Rorschach, Katherine L
collection MIT
description Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2007.
first_indexed 2024-09-23T10:10:41Z
format Thesis
id mit-1721.1/40472
institution Massachusetts Institute of Technology
language eng
last_indexed 2024-09-23T10:10:41Z
publishDate 2008
publisher Massachusetts Institute of Technology
record_format dspace
spelling mit-1721.1/404722019-04-10T18:14:04Z Analysis of natural frequencies of concert harp soundboard shapes Rorschach, Katherine L Seth Lloyd. Massachusetts Institute of Technology. Dept. of Mechanical Engineering. Massachusetts Institute of Technology. Dept. of Mechanical Engineering. Mechanical Engineering. Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2007. Includes bibliographical references (leaf 24). Two possible soundboard shapes for a concert harp were modeled and their lowest natural frequencies compared in order to evaluate the claim that a harp with a bulbous extension has richer sound in the lower notes than one with a simple trapezoidal shape. Two models for the soundboards were evaluated, the first using a stiff plate approximation and the second using a membrane approximation. The lowest modes and frequencies generated by the two models agreed fairly well, and the simpler membrane model was used for the remainder of the analysis. The natural frequencies of an actual harp were determined by impulse response and the frequency spectrum was compared with the modeled frequencies for soundboard and strings. It was determined that many of the important frequencies in the region under 250 Hz could be attributed to the strings. Powerful resonances and clusters coincided with features of the model, indicating that it contains useful qualitative information. by Katherine L. Rorschach. S.B. 2008-02-27T22:29:13Z 2008-02-27T22:29:13Z 2007 2007 Thesis http://hdl.handle.net/1721.1/40472 191749604 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 24 leaves application/pdf Massachusetts Institute of Technology
spellingShingle Mechanical Engineering.
Rorschach, Katherine L
Analysis of natural frequencies of concert harp soundboard shapes
title Analysis of natural frequencies of concert harp soundboard shapes
title_full Analysis of natural frequencies of concert harp soundboard shapes
title_fullStr Analysis of natural frequencies of concert harp soundboard shapes
title_full_unstemmed Analysis of natural frequencies of concert harp soundboard shapes
title_short Analysis of natural frequencies of concert harp soundboard shapes
title_sort analysis of natural frequencies of concert harp soundboard shapes
topic Mechanical Engineering.
url http://hdl.handle.net/1721.1/40472
work_keys_str_mv AT rorschachkatherinel analysisofnaturalfrequenciesofconcertharpsoundboardshapes