Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)

Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.

Bibliographic Details
Main Author: Lo, Melissa
Other Authors: David Friedman.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2008
Subjects:
Online Access:http://hdl.handle.net/1721.1/43902
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author Lo, Melissa
author2 David Friedman.
author_facet David Friedman.
Lo, Melissa
author_sort Lo, Melissa
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description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.
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spelling mit-1721.1/439022019-04-12T09:15:31Z Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854) Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854) Lo, Melissa David Friedman. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008. Includes bibliographical references (p. 136-140). This thesis takes as its subject a remarkable anatomical atlas produced between 1831 and 1854: the Traite complet de l'anatomie de l'homme. Authored jointly by anatomist Jean-Marc Bourgery and artist Nicolas Henri Jacob, the Traite proposed a re-visioning of the ideal body at a moment when the very notion of such a body was undergoing transformation on two fronts: aesthetic philosophy and medicine and surgery. Because of their transverse cuts through skin and viscera, and their equal treatment of proportions and surgical interventions, the treatise's lithographic plates challenged the stability of the ideal body, whose form had typically been exemplified by classical Greek statues (and their fragments) and heavily circulated through the disciplines of art history, archaeology and academic artistic practice. At the same time, the images smoothed over the tattered edges of the pathological specimens that had become the subject of much research, teaching, and treatment in the 19th-century Parisian medical school and clinic; consequently, the images were rendered null for medical theory and surgical practice. Through an investigation of five of the Traité's plates, this thesis underscores the fraught incommensurability of these images while also taking seriously how both anatomist and artist invested in the potential of representation to bridge the gap between the ideal and the dead. by Melissa Lo. S.M. 2008-12-11T18:48:32Z 2008-12-11T18:48:32Z 2008 2008 Thesis http://hdl.handle.net/1721.1/43902 263915234 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 163 p. application/pdf Massachusetts Institute of Technology
spellingShingle Architecture.
Lo, Melissa
Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)
title Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)
title_full Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)
title_fullStr Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)
title_full_unstemmed Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)
title_short Ideal pathologies : Jean-Marc Bourgery's Traité complet de l'anatomie de l'homme (1831-1854)
title_sort ideal pathologies jean marc bourgery s traite complet de l anatomie de l homme 1831 1854
topic Architecture.
url http://hdl.handle.net/1721.1/43902
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