21L.472 Major European Novels, Fall 2001
A study of changing narrative forms in the nineteenth-century European novel. The changing fortunes of the heroic and romantic ideals. The motif of the outsider as a means for depicting social reality. Readings in Cervantes, Balzac, Stendhal, Flaubert, Dostoevsky, Tolstoy, and Proust. From the cours...
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Format: | Learning Object |
Language: | en-US |
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2001
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Online Access: | http://hdl.handle.net/1721.1/49514 |
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author | Kibel, Alvin C. |
author2 | Massachusetts Institute of Technology. Literature Section |
author_facet | Massachusetts Institute of Technology. Literature Section Kibel, Alvin C. |
author_sort | Kibel, Alvin C. |
collection | MIT |
description | A study of changing narrative forms in the nineteenth-century European novel. The changing fortunes of the heroic and romantic ideals. The motif of the outsider as a means for depicting social reality. Readings in Cervantes, Balzac, Stendhal, Flaubert, Dostoevsky, Tolstoy, and Proust. From the course home page: Course Description This subject traces the history of the European novel by studying texts that have been influential in that history in connection with two interrelated ideas. The first of these ideas underlies much of our modern regard for the novel as a literary form–namely, the idea that if fiction intends to deal with the most important forces animating the collective life of humanity, it will not deal with the actions of persons of immense consequence–kings, princes, high elected officials and the like–but rather with the lives of apparently ordinary people and the everyday details of their social ambitions and desires: to use a phrase of Balzac's, with "ce qui se passe partout" (what happens everywhere). This idea sometimes goes with another: that the most significant representations of the human condition are those dealing with a particular type of protagonist–namely, with someone not obviously qualified to be of consequence in the world (by reason, say, of birth or inheritance) but nonetheless conceives of himself or herself as destined for great accomplishment and who tries to compel society to accept him or her as its agent. |
first_indexed | 2024-09-23T12:30:27Z |
format | Learning Object |
id | mit-1721.1/49514 |
institution | Massachusetts Institute of Technology |
language | en-US |
last_indexed | 2025-03-10T10:35:18Z |
publishDate | 2001 |
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spelling | mit-1721.1/495142025-02-21T15:47:48Z 21L.472 Major European Novels, Fall 2001 Major European Novels Kibel, Alvin C. Massachusetts Institute of Technology. Literature Section literature western europe novel history fiction cervantes balzac flaubert dostoyevsky tolstoy realistic tradition romantic naturalism stendhal European literature A study of changing narrative forms in the nineteenth-century European novel. The changing fortunes of the heroic and romantic ideals. The motif of the outsider as a means for depicting social reality. Readings in Cervantes, Balzac, Stendhal, Flaubert, Dostoevsky, Tolstoy, and Proust. From the course home page: Course Description This subject traces the history of the European novel by studying texts that have been influential in that history in connection with two interrelated ideas. The first of these ideas underlies much of our modern regard for the novel as a literary form–namely, the idea that if fiction intends to deal with the most important forces animating the collective life of humanity, it will not deal with the actions of persons of immense consequence–kings, princes, high elected officials and the like–but rather with the lives of apparently ordinary people and the everyday details of their social ambitions and desires: to use a phrase of Balzac's, with "ce qui se passe partout" (what happens everywhere). This idea sometimes goes with another: that the most significant representations of the human condition are those dealing with a particular type of protagonist–namely, with someone not obviously qualified to be of consequence in the world (by reason, say, of birth or inheritance) but nonetheless conceives of himself or herself as destined for great accomplishment and who tries to compel society to accept him or her as its agent. 2001-12 Learning Object 21L.472-Fall2001 local: 21L.472 local: IMSCP-MD5-d7cea407b6a581a70836bbed44e25308 http://hdl.handle.net/1721.1/49514 en-US Usage Restrictions: This site (c) Massachusetts Institute of Technology 2003. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license"). The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. text/html Fall 2001 |
spellingShingle | literature western europe novel history fiction cervantes balzac flaubert dostoyevsky tolstoy realistic tradition romantic naturalism stendhal European literature Kibel, Alvin C. 21L.472 Major European Novels, Fall 2001 |
title | 21L.472 Major European Novels, Fall 2001 |
title_full | 21L.472 Major European Novels, Fall 2001 |
title_fullStr | 21L.472 Major European Novels, Fall 2001 |
title_full_unstemmed | 21L.472 Major European Novels, Fall 2001 |
title_short | 21L.472 Major European Novels, Fall 2001 |
title_sort | 21l 472 major european novels fall 2001 |
topic | literature western europe novel history fiction cervantes balzac flaubert dostoyevsky tolstoy realistic tradition romantic naturalism stendhal European literature |
url | http://hdl.handle.net/1721.1/49514 |
work_keys_str_mv | AT kibelalvinc 21l472majoreuropeannovelsfall2001 AT kibelalvinc majoreuropeannovels |