The Social Construction of Napster

This paper attempts to unpack a few of the vast array of assumptions implicit in how "the technology" known as Napster was understood by several of its key constituencies. Our approach examines discourse about Napster in several areas - legal, economic, social, and cultural. This approach...

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Main Authors: Spitz, David, Hunter, Starling
Format: Working Paper
Language:en_US
Published: 2004
Subjects:
Online Access:http://hdl.handle.net/1721.1/5049
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author Spitz, David
Hunter, Starling
author_facet Spitz, David
Hunter, Starling
author_sort Spitz, David
collection MIT
description This paper attempts to unpack a few of the vast array of assumptions implicit in how "the technology" known as Napster was understood by several of its key constituencies. Our approach examines discourse about Napster in several areas - legal, economic, social, and cultural. This approach enables us to understand "the technology" as an ongoing encounter, rather than the accomplishment of any one inventor, team of inventors, dominant institution, or rule of law. We do not offer proscriptive advice. While there is value in other research that has tried to determine the "impact of Napster on" a particular market or industry, we argue that a multidimensional understanding is necessary both as a foundation for such research as well as in its own right. In only the past four years, dominant interpretations of Napster have not only emerged, but also have been inscribed into laws, business plans, and purchasing decisions, in effect, determining what "tools" - precedents, myths, data sets, prior objects, capabilities - will be available in the future. Our paper tries to show how and why certain (subjective) significations increasingly have taken on the status of truth, while other (equally subjective) discourses have been pushed farther and farther out to the fringes
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spelling mit-1721.1/50492019-04-10T23:47:32Z The Social Construction of Napster Spitz, David Hunter, Starling Napster peer to peer culture information technology music industry digital music This paper attempts to unpack a few of the vast array of assumptions implicit in how "the technology" known as Napster was understood by several of its key constituencies. Our approach examines discourse about Napster in several areas - legal, economic, social, and cultural. This approach enables us to understand "the technology" as an ongoing encounter, rather than the accomplishment of any one inventor, team of inventors, dominant institution, or rule of law. We do not offer proscriptive advice. While there is value in other research that has tried to determine the "impact of Napster on" a particular market or industry, we argue that a multidimensional understanding is necessary both as a foundation for such research as well as in its own right. In only the past four years, dominant interpretations of Napster have not only emerged, but also have been inscribed into laws, business plans, and purchasing decisions, in effect, determining what "tools" - precedents, myths, data sets, prior objects, capabilities - will be available in the future. Our paper tries to show how and why certain (subjective) significations increasingly have taken on the status of truth, while other (equally subjective) discourses have been pushed farther and farther out to the fringes 2004-03-05T20:08:53Z 2004-03-05T20:08:53Z 2004-03-05T20:08:53Z Working Paper http://hdl.handle.net/1721.1/5049 en_US MIT Sloan School of Management Working Paper;4445-03 252735 bytes application/pdf application/pdf
spellingShingle Napster
peer to peer
culture
information technology
music industry
digital music
Spitz, David
Hunter, Starling
The Social Construction of Napster
title The Social Construction of Napster
title_full The Social Construction of Napster
title_fullStr The Social Construction of Napster
title_full_unstemmed The Social Construction of Napster
title_short The Social Construction of Napster
title_sort social construction of napster
topic Napster
peer to peer
culture
information technology
music industry
digital music
url http://hdl.handle.net/1721.1/5049
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