Perceptual synthesis engine : an audio-driven timbre generator
Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001.
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Format: | Thesis |
Language: | eng |
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Massachusetts Institute of Technology
2011
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Online Access: | http://hdl.handle.net/1721.1/61543 |
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author | Jehan, Tristan, 1974- |
author2 | Tod Machover. |
author_facet | Tod Machover. Jehan, Tristan, 1974- |
author_sort | Jehan, Tristan, 1974- |
collection | MIT |
description | Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001. |
first_indexed | 2024-09-23T08:05:07Z |
format | Thesis |
id | mit-1721.1/61543 |
institution | Massachusetts Institute of Technology |
language | eng |
last_indexed | 2024-09-23T08:05:07Z |
publishDate | 2011 |
publisher | Massachusetts Institute of Technology |
record_format | dspace |
spelling | mit-1721.1/615432019-04-09T16:32:58Z Perceptual synthesis engine : an audio-driven timbre generator Jehan, Tristan, 1974- Tod Machover. Massachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciences. Massachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciences. Architecture. Program In Media Arts and Sciences. Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001. Includes bibliographical references (leaves 68-75). A real-time synthesis engine which models and predicts the timbre of acoustic instruments based on perceptual features extracted from an audio stream is presented. The thesis describes the modeling sequence including the analysis of natural sounds, the inference step that finds the mapping between control and output parameters, the timbre prediction step, and the sound synthesis. The system enables applications such as cross-synthesis, pitch shifting or compression of acoustic instruments, and timbre morphing between instrument families. It is fully implemented in the Max/MSP environment. The Perceptual Synthesis Engine was developed for the Hyperviolin as a novel, generic and perceptually meaningful synthesis technique for non-discretely pitched instruments. by Tristan Jehan. S.M. 2011-03-07T15:12:14Z 2011-03-07T15:12:14Z 2001 2001 Thesis http://hdl.handle.net/1721.1/61543 50397685 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 75 leaves application/pdf Massachusetts Institute of Technology |
spellingShingle | Architecture. Program In Media Arts and Sciences. Jehan, Tristan, 1974- Perceptual synthesis engine : an audio-driven timbre generator |
title | Perceptual synthesis engine : an audio-driven timbre generator |
title_full | Perceptual synthesis engine : an audio-driven timbre generator |
title_fullStr | Perceptual synthesis engine : an audio-driven timbre generator |
title_full_unstemmed | Perceptual synthesis engine : an audio-driven timbre generator |
title_short | Perceptual synthesis engine : an audio-driven timbre generator |
title_sort | perceptual synthesis engine an audio driven timbre generator |
topic | Architecture. Program In Media Arts and Sciences. |
url | http://hdl.handle.net/1721.1/61543 |
work_keys_str_mv | AT jehantristan1974 perceptualsynthesisengineanaudiodriventimbregenerator |