Architectures of the everyday in 1920s and 1930s Russia

Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.

Detalhes bibliográficos
Autor principal: Vujosevic, Tijana
Outros Autores: Mark Jarzombek.
Formato: Tese
Idioma:eng
Publicado em: Massachusetts Institute of Technology 2011
Assuntos:
Acesso em linha:http://hdl.handle.net/1721.1/61555
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author Vujosevic, Tijana
author2 Mark Jarzombek.
author_facet Mark Jarzombek.
Vujosevic, Tijana
author_sort Vujosevic, Tijana
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description Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.
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spelling mit-1721.1/615552019-06-11T03:16:49Z Architectures of the everyday in 1920s and 1930s Russia Vujosevic, Tijana Mark Jarzombek. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010. Cataloged from PDF version of thesis. Includes bibliographical references (p. 212-221). This dissertation is an architectural history of Russian everyday life, or byt, in the first two decades after the October Revolution. In this period, the investigation and reform of byt was a project that vastly crossed the limits of the architectural profession. I survey ways in which the quotidian environment was understood, ordered and envisioned in a variety of practices: bureaucracy, literature, theatre, film, urbanism, and design. The dissertation explores the architecture of discrete geographies, sets of tactics and strategies, employed in mapping the terrain of the quotidian. It explores how the official rhetoric of labor and productivity was translated into ethics and aesthetics of existence. The study is ordered chronologically, and according to scale. In the first chapter I explore the manipulation and invention of the everyday object. The second chapter is about the performance of the everyday in Meyerholds's biomechanical theatre, its ties with the Central Institute of Labor, and the charting of the agitated body in action onto the space of the stage. The third chapter captures a moment in the development of the Soviet bathhouse, or banya, , in which the bath, resembling a factory, was conceived of as an efficient, working building, which processed citizens' bodies in their entirety, and in some cases, presented replicas of the world at large. In the fourth chapter I read collective workers' histories to reconstruct the aesthetic of the Moscow Metro and particular modes of perception needed to capture and behold its magnificence. The final chapter is about the efforts of wife-activists, or obshchestvennitsy, to represent a society of surplus and overproduction through their management of nature's bounty. by Tijana Vujosevic. Ph.D. 2011-03-07T15:14:10Z 2011-03-07T15:14:10Z 2010 2010 Thesis http://hdl.handle.net/1721.1/61555 703158480 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 221 p. application/pdf e-ur--- e-ru--- Massachusetts Institute of Technology
spellingShingle Architecture.
Vujosevic, Tijana
Architectures of the everyday in 1920s and 1930s Russia
title Architectures of the everyday in 1920s and 1930s Russia
title_full Architectures of the everyday in 1920s and 1930s Russia
title_fullStr Architectures of the everyday in 1920s and 1930s Russia
title_full_unstemmed Architectures of the everyday in 1920s and 1930s Russia
title_short Architectures of the everyday in 1920s and 1930s Russia
title_sort architectures of the everyday in 1920s and 1930s russia
topic Architecture.
url http://hdl.handle.net/1721.1/61555
work_keys_str_mv AT vujosevictijana architecturesoftheeverydayin1920sand1930srussia