Painterly interfaces for audiovisual performance
Thesis (S.M.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 2000.
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| Format: | Thesis |
| Language: | eng |
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Massachusetts Institute of Technology
2011
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| Online Access: | http://hdl.handle.net/1721.1/61848 |
| _version_ | 1826195274190553088 |
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| author | Levin, Golan |
| author2 | John Maeda. |
| author_facet | John Maeda. Levin, Golan |
| author_sort | Levin, Golan |
| collection | MIT |
| description | Thesis (S.M.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 2000. |
| first_indexed | 2024-09-23T10:10:07Z |
| format | Thesis |
| id | mit-1721.1/61848 |
| institution | Massachusetts Institute of Technology |
| language | eng |
| last_indexed | 2024-09-23T10:10:07Z |
| publishDate | 2011 |
| publisher | Massachusetts Institute of Technology |
| record_format | dspace |
| spelling | mit-1721.1/618482019-04-11T07:08:54Z Painterly interfaces for audiovisual performance Levin, Golan John Maeda. Massachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciences. Massachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciences. Architecture. Program In Media Arts and Sciences. Thesis (S.M.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 2000. Includes bibliographical references (p. 145-149). This thesis presents a new computer interface metaphor for the real-time and simultaneous performance of dynamic imagery and sound. This metaphor is based on the idea of an inexhaustible, infinitely variable, time-based, audiovisual "substance" which can be gesturally created, deposited, manipulated and deleted in a free-form, non-diagrammatic image space. The interface metaphor is exemplified by five interactive audiovisual synthesis systems whose visual and aural dimensions are deeply plastic, commensurately malleable, and tightly connected by perceptually- motivated mappings. The principles, patterns and challenges which structured the design of these five software systems are extracted and discussed, after which the expressive capacities of the five systems are compared and evaluated. Golan Levin. S.M. 2011-03-24T20:15:59Z 2011-03-24T20:15:59Z 2000 2000 Thesis http://hdl.handle.net/1721.1/61848 48591450 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 149 p. application/pdf Massachusetts Institute of Technology |
| spellingShingle | Architecture. Program In Media Arts and Sciences. Levin, Golan Painterly interfaces for audiovisual performance |
| title | Painterly interfaces for audiovisual performance |
| title_full | Painterly interfaces for audiovisual performance |
| title_fullStr | Painterly interfaces for audiovisual performance |
| title_full_unstemmed | Painterly interfaces for audiovisual performance |
| title_short | Painterly interfaces for audiovisual performance |
| title_sort | painterly interfaces for audiovisual performance |
| topic | Architecture. Program In Media Arts and Sciences. |
| url | http://hdl.handle.net/1721.1/61848 |
| work_keys_str_mv | AT levingolan painterlyinterfacesforaudiovisualperformance |