Urban light and color
In Colour for Architecture, published in 1976, the editors, Tom Porter and Byron Mikellides, explain that their book was “produced out of an awareness that colour, as a basic and vital force, is lacking from the built environment and that our knowledge of it is isolated and limited.”1 Lack of urb...
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Format: | Article |
Language: | en_US |
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Harvard University Graduate School of Design
2011
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Online Access: | http://hdl.handle.net/1721.1/61988 https://orcid.org/0000-0003-3652-1492 |
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author | Byrne, Alex Hilbert, David R. |
author2 | Massachusetts Institute of Technology. Department of Linguistics and Philosophy |
author_facet | Massachusetts Institute of Technology. Department of Linguistics and Philosophy Byrne, Alex Hilbert, David R. |
author_sort | Byrne, Alex |
collection | MIT |
description | In Colour for Architecture, published in 1976, the editors, Tom Porter and Byron
Mikellides, explain that their book was “produced out of an awareness that colour, as a
basic and vital force, is lacking from the built environment and that our knowledge of it is
isolated and limited.”1 Lack of urban color was then especially salient in Britain—where
the book was published—which had just begun to recoil at the Brutalist legacy of angular
stained gray concrete strewn across the postwar landscape. Perhaps because the most
urgent need was to inject some hue into this architectural dystopia, one of the main
innovations illustrated in the book involves nothing more than cans of paint. Dull
unfinished concrete façades, the interior of a subway station, a cement works, and so on,
are shown enlivened by fields of bright color. |
first_indexed | 2024-09-23T16:24:16Z |
format | Article |
id | mit-1721.1/61988 |
institution | Massachusetts Institute of Technology |
language | en_US |
last_indexed | 2024-09-23T16:24:16Z |
publishDate | 2011 |
publisher | Harvard University Graduate School of Design |
record_format | dspace |
spelling | mit-1721.1/619882022-09-29T19:45:58Z Urban light and color Byrne, Alex Hilbert, David R. Massachusetts Institute of Technology. Department of Linguistics and Philosophy Byrne, Alex Byrne, Alex In Colour for Architecture, published in 1976, the editors, Tom Porter and Byron Mikellides, explain that their book was “produced out of an awareness that colour, as a basic and vital force, is lacking from the built environment and that our knowledge of it is isolated and limited.”1 Lack of urban color was then especially salient in Britain—where the book was published—which had just begun to recoil at the Brutalist legacy of angular stained gray concrete strewn across the postwar landscape. Perhaps because the most urgent need was to inject some hue into this architectural dystopia, one of the main innovations illustrated in the book involves nothing more than cans of paint. Dull unfinished concrete façades, the interior of a subway station, a cement works, and so on, are shown enlivened by fields of bright color. 2011-03-30T14:01:31Z 2011-03-30T14:01:31Z 2011 Article http://purl.org/eprint/type/JournalArticle 9781934510261 1934510262 2152-047X http://hdl.handle.net/1721.1/61988 Byrne, Alex, and David R. Hilbert. "Urban Light and Color." in New Geographies, 3: Urbanisms of Color, Gareth Doherty, editor. Cambridge, Ma: Harvard University Press, c2011. 184 p. https://orcid.org/0000-0003-3652-1492 en_US New Geographies (Book 3) Creative Commons Attribution-Noncommercial-Share Alike 3.0 http://creativecommons.org/licenses/by-nc-sa/3.0/ application/pdf Harvard University Graduate School of Design MIT web domain |
spellingShingle | Byrne, Alex Hilbert, David R. Urban light and color |
title | Urban light and color |
title_full | Urban light and color |
title_fullStr | Urban light and color |
title_full_unstemmed | Urban light and color |
title_short | Urban light and color |
title_sort | urban light and color |
url | http://hdl.handle.net/1721.1/61988 https://orcid.org/0000-0003-3652-1492 |
work_keys_str_mv | AT byrnealex urbanlightandcolor AT hilbertdavidr urbanlightandcolor |