WAI-KNOT (Wireless Audio Interactive Knot)

Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001.

Bibliographic Details
Main Author: Smith, Adam Douglas, 1975-
Other Authors: Michael Hawley and Andrew Lippman.
Format: Thesis
Language:eng
Published: Massachusetts Institute of Technology 2011
Subjects:
Online Access:http://hdl.handle.net/1721.1/62360
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author Smith, Adam Douglas, 1975-
author2 Michael Hawley and Andrew Lippman.
author_facet Michael Hawley and Andrew Lippman.
Smith, Adam Douglas, 1975-
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description Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001.
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spelling mit-1721.1/623602019-04-12T12:44:30Z WAI-KNOT (Wireless Audio Interactive Knot) WAI-KNOT Wireless Audio Interactive Knot Smith, Adam Douglas, 1975- Michael Hawley and Andrew Lippman. Massachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciences. Massachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciences. Architecture. Program In Media Arts and Sciences. Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2001. Includes bibliographical references (leaves 44-45). The Sound Transformer is a new type of musical instrument. It looks a little like a saxophone, but when you sing or "kazoo" into it, astonishing transforms and mutations come out. What actually happens is that the input sound is sent via 802.11 wireless link to a net server that transforms the sound and sends it back to the instrument's speaker. In other words, instead of a resonant acoustic body, or a local computer synthesizer, this architecture allows sound to be sourced or transformed by an infinite array of online services, and channeled through a gesturally expressive handheld. Emerging infrastructures (802.11, Bluetooth, 3G and 4G, etc) seem to aim at this new class of instrument. But can such an architecture really work? In particular, given the delays incurred by decoupling the sound transformation from the instrument over a wireless network, are interactive music applications feasible? My thesis is that they are. To prove this, I built a platform called WAI-KNOT (for Wireless Audio Interactive Knot) in order to examine the latency issues as well as other design elements, and test their viability and impact on real music making. The Sound Transformer is a WAI-KNOT application. Adam Douglas Smith. S.M. 2011-04-25T15:46:47Z 2011-04-25T15:46:47Z 2001 2001 Thesis http://hdl.handle.net/1721.1/62360 50396627 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 45 leaves application/pdf Massachusetts Institute of Technology
spellingShingle Architecture. Program In Media Arts and Sciences.
Smith, Adam Douglas, 1975-
WAI-KNOT (Wireless Audio Interactive Knot)
title WAI-KNOT (Wireless Audio Interactive Knot)
title_full WAI-KNOT (Wireless Audio Interactive Knot)
title_fullStr WAI-KNOT (Wireless Audio Interactive Knot)
title_full_unstemmed WAI-KNOT (Wireless Audio Interactive Knot)
title_short WAI-KNOT (Wireless Audio Interactive Knot)
title_sort wai knot wireless audio interactive knot
topic Architecture. Program In Media Arts and Sciences.
url http://hdl.handle.net/1721.1/62360
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