Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1998.
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| Format: | Thesis |
| Language: | eng |
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Massachusetts Institute of Technology
2011
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| Online Access: | http://hdl.handle.net/1721.1/64902 |
| _version_ | 1826190084798414848 |
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| author | Caloghirou, Christina, 1971- |
| author2 | William L. Porter. |
| author_facet | William L. Porter. Caloghirou, Christina, 1971- |
| author_sort | Caloghirou, Christina, 1971- |
| collection | MIT |
| description | Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1998. |
| first_indexed | 2024-09-23T08:34:47Z |
| format | Thesis |
| id | mit-1721.1/64902 |
| institution | Massachusetts Institute of Technology |
| language | eng |
| last_indexed | 2024-09-23T08:34:47Z |
| publishDate | 2011 |
| publisher | Massachusetts Institute of Technology |
| record_format | dspace |
| spelling | mit-1721.1/649022019-04-09T18:34:52Z Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art Role of consumption in the design of the new Museum of Modern Art Caloghirou, Christina, 1971- William L. Porter. Massachusetts Institute of Technology. Dept. of Architecture Architecture Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1998. Includes bibliographical references (p. 140-143). In recent years, museum architecture has been extensively subjected to cultural critique. Perceived as an instance of architects' stylistic yearnings, reflecting control strategies, promoting institutions' economic and cultural power, catering for education through forms that increasingly associate it with commercial environments and building structures, museum architecture is examined in this thesis as a significant ground for articulating the relation between cultural and consumer practices. Assuming that contemporary societies increasingly operate within a highly consumptive culture, where people seek new experiences through travel, leisurely activities and cultural exposure, and considering that the physical environment challenges and affects the perception of our material and immaterial worlds, we investigate the role of consumption in recent museum design. In so doing, this study focuses on the new expansion of the Museum of Modern Art in New York, a project that surprised critics both in its choice of participants and the conceptualization of its design process. We discuss the meaning of consumer culture in the context of cultural institutions, outline its effect on the definition of MoMA's institutional identity and study its role and expression in the conceptual and design phases towards the selection of the final project. The objective is to review and expand our understanding of the relationship between consumption and cultural production in museum spaces while aspiring to develop an operative framework for future thought and practice in the shaping of new architectural identities. by Christina Caloghirou. M.S. 2011-07-18T14:01:39Z 2011-07-18T14:01:39Z 1998 1998 Thesis http://hdl.handle.net/1721.1/64902 40154532 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 143 p. application/pdf n-us-ma Massachusetts Institute of Technology |
| spellingShingle | Architecture Caloghirou, Christina, 1971- Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art |
| title | Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art |
| title_full | Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art |
| title_fullStr | Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art |
| title_full_unstemmed | Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art |
| title_short | Marketing the aesthetic encounter : the role of consumption in the design of the new Museum of Modern Art |
| title_sort | marketing the aesthetic encounter the role of consumption in the design of the new museum of modern art |
| topic | Architecture |
| url | http://hdl.handle.net/1721.1/64902 |
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