Iran and the Boomeranging Cartoon Wars: Can Public Spheres At Risk Ally With Public Spheres Yet to be Achieved?
Twelve cartoons, published in the Danish newspaper Jyllands-Posten in September 2005, nine cartoons published in the Tehran newspaperIran in May 2006, and two hundred eighty-two cartoons curated in Tehran in September 2006 provide a useful case study in the experimentation with new and old media in...
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| Formato: | Artigo |
| Idioma: | en_US |
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Berg Publishers
2012
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| Acesso em linha: | http://hdl.handle.net/1721.1/69037 https://orcid.org/0000-0002-2871-5943 |
| Resumo: | Twelve cartoons, published in the Danish newspaper Jyllands-Posten in September 2005, nine cartoons published in the Tehran newspaperIran in May 2006, and two hundred eighty-two cartoons curated in Tehran in September 2006 provide a useful case study in the experimentation with new and old media in the transnational circuitry.
At stake are the agons, polemos (Greek terms of reference), or luti-jahel-daarvish, “Karbala paradigm,” and jumhuri-ye moral struggles (Persian terms of reference) in Iran and the West over creating and protecting robust public spheres and civil societies. Four perspectives are probed: cultural politics; cultural media histories; the emotional excess (jouissance, petit à) of cultural politics; and the deep play mode of aesthetic judgement formed between the practical and ethical, between political economy and expressive art (including political drama), and between individual self-fashioning on the one hand, and on the other hand changing symbolic and social orders. |
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