Architecture and the movies : two examples
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.
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| Format: | Thesis |
| Language: | eng |
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Massachusetts Institute of Technology
2013
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| Online Access: | http://hdl.handle.net/1721.1/75980 |
| _version_ | 1811093012476854272 |
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| author | Meagher, Mary Elizabeth |
| author2 | Rosemary D. Grimshaw. |
| author_facet | Rosemary D. Grimshaw. Meagher, Mary Elizabeth |
| author_sort | Meagher, Mary Elizabeth |
| collection | MIT |
| description | Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986. |
| first_indexed | 2024-09-23T15:38:10Z |
| format | Thesis |
| id | mit-1721.1/75980 |
| institution | Massachusetts Institute of Technology |
| language | eng |
| last_indexed | 2024-09-23T15:38:10Z |
| publishDate | 2013 |
| publisher | Massachusetts Institute of Technology |
| record_format | dspace |
| spelling | mit-1721.1/759802019-04-11T13:01:35Z Architecture and the movies : two examples Meagher, Mary Elizabeth Rosemary D. Grimshaw. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986. MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH Includes bibliographical references (p. 125-131). This thesis is a speculative inquiry into the relationship between movies and architecture, both of which are forms of expression simultaneously particular to the artist who created them and general, illustrative of a larger cultural sensibility. Both reveal a cultural condition: its authorities, its emphases, its concerns: And yet, as forms of expression, they are very different architecture is tactile and spatial, it is the world constructed: movies are two dimensional depictions , they are "the world viewed." But in this, we see that a relationship between them may go beyond the parallels and distinctions of their existence in the culture. Movies are unique among forms of depiction in that, through the arrangement of images in sequence, they represent movement In this, they evoke our own experience in the world and suggest the dynamic complexity of man's relation to built form and space. This thesis will examine two American movies made twenty years apart, for their revelations of a cultural understanding of built form and space. This thesis also has a second intent derived from the first. If we can think of movies as a kind of mirror of popular understanding, can we also think of them as a model, as influencing that understanding? by Mary Elizabeth Meagher. M.Arch. 2013-01-07T21:10:49Z 2013-01-07T21:10:49Z 1986 1986 Thesis http://hdl.handle.net/1721.1/75980 15434955 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 131 p. application/pdf Massachusetts Institute of Technology |
| spellingShingle | Architecture. Meagher, Mary Elizabeth Architecture and the movies : two examples |
| title | Architecture and the movies : two examples |
| title_full | Architecture and the movies : two examples |
| title_fullStr | Architecture and the movies : two examples |
| title_full_unstemmed | Architecture and the movies : two examples |
| title_short | Architecture and the movies : two examples |
| title_sort | architecture and the movies two examples |
| topic | Architecture. |
| url | http://hdl.handle.net/1721.1/75980 |
| work_keys_str_mv | AT meaghermaryelizabeth architectureandthemoviestwoexamples |