The edge of the stage
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984.
Main Author: | |
---|---|
Other Authors: | |
Format: | Thesis |
Language: | eng |
Published: |
Massachusetts Institute of Technology
2013
|
Subjects: | |
Online Access: | http://hdl.handle.net/1721.1/76865 |
_version_ | 1826207061777580032 |
---|---|
author | Purdie, Catherine |
author2 | Richard Leacock. |
author_facet | Richard Leacock. Purdie, Catherine |
author_sort | Purdie, Catherine |
collection | MIT |
description | Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984. |
first_indexed | 2024-09-23T13:42:52Z |
format | Thesis |
id | mit-1721.1/76865 |
institution | Massachusetts Institute of Technology |
language | eng |
last_indexed | 2024-09-23T13:42:52Z |
publishDate | 2013 |
publisher | Massachusetts Institute of Technology |
record_format | dspace |
spelling | mit-1721.1/768652019-04-11T08:43:53Z The edge of the stage Purdie, Catherine Richard Leacock. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984. MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH Includes bibliographical references (leaf 17). The edge of the stage is not only the point where the mask is removed but also the line where performance enters daily life . The film, The Edge of the Stage, revolves around this point through the lives of five performers. Many levels of illusion are presented and removed as they portray different characters in the film, including themselves. Their roles are both unique and universal as they become metaphors for performance . The vehicle, the film, is not only a transparent medium in which to express the art of performance but rather a structure to reference the performers' art and their lives to the nature of performance in all our lives. This paper examines the role of illusion in both film and performance and the structures that control and break that illusion. Moving through the history of these intertwined art forms, the paper traces some of the ideas and observations that provided a framework for The Edge of the Stage. The thesis consists of a text and a videotape. The tape is 18 minutes long, in color, with sound, and is a transfer onto 3/4" video from film. by Catherine Purdie. M.S.V.S. 2013-02-14T15:11:25Z 2013-02-14T15:11:25Z 1984 1984 Thesis http://hdl.handle.net/1721.1/76865 15992724 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 17 leaves application/pdf Massachusetts Institute of Technology |
spellingShingle | Architecture. Purdie, Catherine The edge of the stage |
title | The edge of the stage |
title_full | The edge of the stage |
title_fullStr | The edge of the stage |
title_full_unstemmed | The edge of the stage |
title_short | The edge of the stage |
title_sort | edge of the stage |
topic | Architecture. |
url | http://hdl.handle.net/1721.1/76865 |
work_keys_str_mv | AT purdiecatherine theedgeofthestage AT purdiecatherine edgeofthestage |