Entries from a trip home
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1980.
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| Format: | Thesis |
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Massachusetts Institute of Technology
2013
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| Online Access: | http://hdl.handle.net/1721.1/77282 |
| _version_ | 1811069809604952064 |
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| author | Schaetzel, Ann. |
| author2 | Richard Leacock. |
| author_facet | Richard Leacock. Schaetzel, Ann. |
| author_sort | Schaetzel, Ann. |
| collection | MIT |
| description | Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1980. |
| first_indexed | 2024-09-23T08:16:29Z |
| format | Thesis |
| id | mit-1721.1/77282 |
| institution | Massachusetts Institute of Technology |
| last_indexed | 2024-09-23T08:16:29Z |
| publishDate | 2013 |
| publisher | Massachusetts Institute of Technology |
| record_format | dspace |
| spelling | mit-1721.1/772822019-07-04T03:11:56Z Entries from a trip home Entries from a trip home : vulnerability in cinema verite Schaetzel, Ann. Richard Leacock. Massachusetts Institute of Technology. Department of Architecture. Massachusetts Institute of Technology. Department of Architecture Architecture. Documentary films. Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1980. Includes bibliographical references. Cinema verite is distinguished from other genres by its refinement of means to make spontaneous revelations of character and situation. Because cinema verite can reveal extemporaneous behavior more easily and more acutely than other filmmaking techniques, its subjects are inherently more vulnerable to exposure than are subjects in directed or rehearsed films. Consideration of vulnerability as a key element characterizing the form and affecting audience response.to cinema verite opens up criticism of the form in a number of ways: It explains more fully audience discomfort with cinema verite, because it suggests that in cinema verite the audience's affiliations shift between filmmaker and film subject. It underpins discussion of the cinema verite film maker's responsibility to and relationship with the film's subjects. It suggests a perspective from which to examine humor in cinema verite. Finally, it is one explanation of the particular force of this form, a force that can be used or abused. by Ann Schaetzel. Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1980. 2013-03-01T14:44:02Z 2013-03-01T14:44:02Z 1980 1980 Thesis http://hdl.handle.net/1721.1/77282 08683863 MIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission. http://dspace.mit.edu/handle/1721.1/7582 25 leaves ; application/pdf Massachusetts Institute of Technology |
| spellingShingle | Architecture. Documentary films. Schaetzel, Ann. Entries from a trip home |
| title | Entries from a trip home |
| title_full | Entries from a trip home |
| title_fullStr | Entries from a trip home |
| title_full_unstemmed | Entries from a trip home |
| title_short | Entries from a trip home |
| title_sort | entries from a trip home |
| topic | Architecture. Documentary films. |
| url | http://hdl.handle.net/1721.1/77282 |
| work_keys_str_mv | AT schaetzelann entriesfromatriphome AT schaetzelann entriesfromatriphomevulnerabilityincinemaverite |