"La Revelation m'est venue de l'Orient" Henri Matisse
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.
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| Format: | Thesis |
| Language: | eng |
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Massachusetts Institute of Technology
2005
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| Online Access: | http://hdl.handle.net/1721.1/9035 |
| _version_ | 1826216519087947776 |
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| author | Corm, Tamara H. (Tamara Hiram), 1976- |
| author2 | Nasser Rabbat. |
| author_facet | Nasser Rabbat. Corm, Tamara H. (Tamara Hiram), 1976- |
| author_sort | Corm, Tamara H. (Tamara Hiram), 1976- |
| collection | MIT |
| description | Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000. |
| first_indexed | 2024-09-23T16:48:40Z |
| format | Thesis |
| id | mit-1721.1/9035 |
| institution | Massachusetts Institute of Technology |
| language | eng |
| last_indexed | 2024-09-23T16:48:40Z |
| publishDate | 2005 |
| publisher | Massachusetts Institute of Technology |
| record_format | dspace |
| spelling | mit-1721.1/90352019-04-12T14:55:22Z "La Revelation m'est venue de l'Orient" Henri Matisse Corm, Tamara H. (Tamara Hiram), 1976- Nasser Rabbat. Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Dept. of Architecture. Architecture. Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000. Includes bibliographical references (leaves 407-418). This Master's thesis will analyze Matisse's complex relation to the Orient. In 1947, Hemi Matisse was a recognized avant garde painter, after having deeply reflected on his painting he declared: "The Revelation came to me from the Orient." What does Matisse mean when he makes such a confession? What kind of Orient does he refer to? This thesis will define Matisse's fascination for the Orient. It will also explain why he escaped twentieth century critical Orientalist theory. To achieve this we will present the aesthetic and cultural climate in which Matisse discovered and learnt to appreciate Islamic and Byzantine art. The fundamental role it played in the formation of his aesthetic as a painter. In a second step we will focus on Matisse's "Oriental" voyages which confirmed his earlier Oriental lessons. In a third step we will present Matisse's relation to a thematic Orient, an Orient from memory with the odalisques. We will conclude by realizing that the reference to the Orient became a leitmotif through out the painter's career and manifested itself both esthetically and thematically. This thesis will fill in a gap in our understanding of Matisse's unique relation to the Orient. by Tamara H. Corm. S.M. 2005-09-27T20:06:30Z 2005-09-27T20:06:30Z 2000 2000 Thesis http://hdl.handle.net/1721.1/9035 47865738 eng M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 418 p. 27235133 bytes 27234887 bytes application/pdf application/pdf application/pdf Massachusetts Institute of Technology |
| spellingShingle | Architecture. Corm, Tamara H. (Tamara Hiram), 1976- "La Revelation m'est venue de l'Orient" Henri Matisse |
| title | "La Revelation m'est venue de l'Orient" Henri Matisse |
| title_full | "La Revelation m'est venue de l'Orient" Henri Matisse |
| title_fullStr | "La Revelation m'est venue de l'Orient" Henri Matisse |
| title_full_unstemmed | "La Revelation m'est venue de l'Orient" Henri Matisse |
| title_short | "La Revelation m'est venue de l'Orient" Henri Matisse |
| title_sort | la revelation m est venue de l orient henri matisse |
| topic | Architecture. |
| url | http://hdl.handle.net/1721.1/9035 |
| work_keys_str_mv | AT cormtamarahtamarahiram1976 larevelationmestvenuedelorienthenrimatisse |