Myth and the creative imagination in The Book of Urizen

William Blake is best known and admired for Songs of Innocence and Experience. The same year as he completed it, he also published the earliest in his series of so-called ‘prophetic books’ that explore creation. Etched in double columns in imitation of the Bible, The First Book of Urizen (1794) is a...

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Main Author: Dawson, Terence.
Other Authors: School of Humanities and Social Sciences
Format: Journal Article
Language:English
Published: 2013
Online Access:https://hdl.handle.net/10356/102125
http://hdl.handle.net/10220/16961
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author Dawson, Terence.
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
Dawson, Terence.
author_sort Dawson, Terence.
collection NTU
description William Blake is best known and admired for Songs of Innocence and Experience. The same year as he completed it, he also published the earliest in his series of so-called ‘prophetic books’ that explore creation. Etched in double columns in imitation of the Bible, The First Book of Urizen (1794) is about the creation of earth, the first female, her son and his near sacrifice and what humankind lost when separated forever from Eternity. It tells of horrendous pain and disillusionment. Ever since the 1970s, critical interest in the work has been dominated by new historicist approaches that relate its interactions to events in the outer world of Blake's time. This article explores them as an expression of an autonomous process unfolding in his inner world. Its objective is to show not only how Jungian theory helps to identify and follow its concerns and intrinsic logic, but also how Blake's work broadens our understanding of the nature of unconscious processes.
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spelling ntu-10356/1021252020-03-07T12:10:41Z Myth and the creative imagination in The Book of Urizen Dawson, Terence. School of Humanities and Social Sciences William Blake is best known and admired for Songs of Innocence and Experience. The same year as he completed it, he also published the earliest in his series of so-called ‘prophetic books’ that explore creation. Etched in double columns in imitation of the Bible, The First Book of Urizen (1794) is about the creation of earth, the first female, her son and his near sacrifice and what humankind lost when separated forever from Eternity. It tells of horrendous pain and disillusionment. Ever since the 1970s, critical interest in the work has been dominated by new historicist approaches that relate its interactions to events in the outer world of Blake's time. This article explores them as an expression of an autonomous process unfolding in his inner world. Its objective is to show not only how Jungian theory helps to identify and follow its concerns and intrinsic logic, but also how Blake's work broadens our understanding of the nature of unconscious processes. 2013-10-28T03:44:14Z 2019-12-06T20:50:04Z 2013-10-28T03:44:14Z 2019-12-06T20:50:04Z 2012 2012 Journal Article Dawson, T. (2012). Myth and the creative imagination in The Book of Urizen. International Journal of Jungian Studies, 4(2), 87-103. https://hdl.handle.net/10356/102125 http://hdl.handle.net/10220/16961 10.1080/19409052.2012.691892 en International journal of Jungian studies
spellingShingle Dawson, Terence.
Myth and the creative imagination in The Book of Urizen
title Myth and the creative imagination in The Book of Urizen
title_full Myth and the creative imagination in The Book of Urizen
title_fullStr Myth and the creative imagination in The Book of Urizen
title_full_unstemmed Myth and the creative imagination in The Book of Urizen
title_short Myth and the creative imagination in The Book of Urizen
title_sort myth and the creative imagination in the book of urizen
url https://hdl.handle.net/10356/102125
http://hdl.handle.net/10220/16961
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