Interpreting Confucius : the aesthetic turn and its challenges

NI Peimin’s book Confucius: The Man and the Way of Gongfu (Ni 2016) is remarkable not only because it is lucidly written and rich in information but also, more importantly, because it launches a major shift in interpreting Confucius. In his reading, Confucius’ teachings are more about how to lead li...

Full description

Bibliographic Details
Main Author: Li, Chenyang
Other Authors: School of Humanities
Format: Journal Article
Language:English
Published: 2019
Subjects:
Online Access:https://hdl.handle.net/10356/105148
http://hdl.handle.net/10220/48627
_version_ 1826111065106153472
author Li, Chenyang
author2 School of Humanities
author_facet School of Humanities
Li, Chenyang
author_sort Li, Chenyang
collection NTU
description NI Peimin’s book Confucius: The Man and the Way of Gongfu (Ni 2016) is remarkable not only because it is lucidly written and rich in information but also, more importantly, because it launches a major shift in interpreting Confucius. In his reading, Confucius’ teachings are more about how to lead lives artistically than about moral conduct. We may call Ni’s shift the “aesthetic turn” in interpreting Confucius. This work deserves serious attention and careful treatments by pertinent scholarly communities.
first_indexed 2024-10-01T02:44:49Z
format Journal Article
id ntu-10356/105148
institution Nanyang Technological University
language English
last_indexed 2024-10-01T02:44:49Z
publishDate 2019
record_format dspace
spelling ntu-10356/1051482020-10-08T06:36:17Z Interpreting Confucius : the aesthetic turn and its challenges Li, Chenyang School of Humanities Confucius Aesthetic DRNTU::Humanities::Philosophy NI Peimin’s book Confucius: The Man and the Way of Gongfu (Ni 2016) is remarkable not only because it is lucidly written and rich in information but also, more importantly, because it launches a major shift in interpreting Confucius. In his reading, Confucius’ teachings are more about how to lead lives artistically than about moral conduct. We may call Ni’s shift the “aesthetic turn” in interpreting Confucius. This work deserves serious attention and careful treatments by pertinent scholarly communities. MOE (Min. of Education, S’pore) Accepted version 2019-06-11T04:14:32Z 2019-12-06T21:46:32Z 2019-06-11T04:14:32Z 2019-12-06T21:46:32Z 2018 Journal Article Li, C. (2018). Interpreting Confucius : the aesthetic turn and its challenges. Dao, 17(2), 247-255. doi:10.1007/s11712-018-9604-z 1540-3009 https://hdl.handle.net/10356/105148 http://hdl.handle.net/10220/48627 10.1007/s11712-018-9604-z en Dao © 2018 Springer Science+Business Media B.V., part of Springer Nature. All rights reserved. This is a post-peer-review, pre-copyedit version of an article published in Dao. The final authenticated version is available online at: http://dx.doi.org/10.1007/s11712-018-9604-z 16 p. application/pdf
spellingShingle Confucius
Aesthetic
DRNTU::Humanities::Philosophy
Li, Chenyang
Interpreting Confucius : the aesthetic turn and its challenges
title Interpreting Confucius : the aesthetic turn and its challenges
title_full Interpreting Confucius : the aesthetic turn and its challenges
title_fullStr Interpreting Confucius : the aesthetic turn and its challenges
title_full_unstemmed Interpreting Confucius : the aesthetic turn and its challenges
title_short Interpreting Confucius : the aesthetic turn and its challenges
title_sort interpreting confucius the aesthetic turn and its challenges
topic Confucius
Aesthetic
DRNTU::Humanities::Philosophy
url https://hdl.handle.net/10356/105148
http://hdl.handle.net/10220/48627
work_keys_str_mv AT lichenyang interpretingconfuciustheaestheticturnanditschallenges