Hawaii, Cannes, and Los Angeles : projecting South Korean cinema to the world
In summer 2015, Star Wars: The Force Awakens dominated the box office in virtually every major film market on the planet. There were, however, two notable exceptions. Patrick Brezeski (The Hollywood Reporter) points out two markets where the force was not strong enough to hold local audiences – Viet...
المؤلف الرئيسي: | Lee, Sangjoon |
---|---|
مؤلفون آخرون: | Wee Kim Wee School of Communication and Information |
التنسيق: | Journal Article |
اللغة: | English |
منشور في: |
2020
|
الموضوعات: | |
الوصول للمادة أونلاين: | https://hdl.handle.net/10356/143162 |
مواد مشابهة
-
Hawaii, Cannes, and Los Angeles : projecting South Korean cinema to the world
حسب: Lee, Sangjoon
منشور في: (2018) -
Rediscovering Korean cinema
حسب: Lee, Sangjoon
منشور في: (2020) -
Hawaii, Cannes, and Los Angeles: Projecting South Korean Cinema to the World
حسب: Sangjoon Lee
منشور في: (2018-02-01) -
The South Korean film industry and the Chinese film market
حسب: Lee, Sangjoon
منشور في: (2020) -
The New Zombie Apocalypse and Social Crisis in South Korean Cinema (translation into Russian)
حسب: Sung-Ae Lee
منشور في: (2021-12-01)