Divergent generative art practices
The aim of this panel session is to analyze and compare possible new venues, media, methodologies and forms that generative practices are taking today. We claim that a combination of analytical, playful and critical approaches in understanding and using technologies is important in today’s art world...
| Main Authors: | , , , , |
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| Other Authors: | |
| Format: | Conference Paper |
| Language: | English |
| Published: |
2020
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| Subjects: | |
| Online Access: | https://hdl.handle.net/10356/144989 |
| _version_ | 1811697000022802432 |
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| author | Grba, Dejan Todorović, Vladimir Todorović, Tatjana Schlegel, Andreas Pandilovski, Melentie |
| author2 | School of Art, Design and Media |
| author_facet | School of Art, Design and Media Grba, Dejan Todorović, Vladimir Todorović, Tatjana Schlegel, Andreas Pandilovski, Melentie |
| author_sort | Grba, Dejan |
| collection | NTU |
| description | The aim of this panel session is to analyze and compare possible new venues, media, methodologies and forms that generative practices are taking today. We claim that a combination of analytical, playful and critical approaches in understanding and using technologies is important in today’s art world. The discussions will start by addressing the creative and cognitive aspects of procedural fluency in creating, reading or interpreting a generative artwork. By assessing the perceptual interaction with generative art, we will continue to question the narrative and performative qualities of this relatively new form. These two sections will introduce us to the contemporary smart cities as venues for generative practices and a notion of engaging city dwellers to participate in this complex system of networks and devices. Furthermore, we will discuss the new potential divergences of generative art practice. Biotechnology and quantum mechanics open another unimaginable field of generative activities that, equally to other venues, require critical, analytical and creative use of technology. |
| first_indexed | 2024-10-01T07:48:18Z |
| format | Conference Paper |
| id | ntu-10356/144989 |
| institution | Nanyang Technological University |
| language | English |
| last_indexed | 2024-10-01T07:48:18Z |
| publishDate | 2020 |
| record_format | dspace |
| spelling | ntu-10356/1449892023-03-11T19:46:27Z Divergent generative art practices Grba, Dejan Todorović, Vladimir Todorović, Tatjana Schlegel, Andreas Pandilovski, Melentie School of Art, Design and Media 22nd International Symposium on Electronic Art Visual arts and music::Media Generative Art Transcoding The aim of this panel session is to analyze and compare possible new venues, media, methodologies and forms that generative practices are taking today. We claim that a combination of analytical, playful and critical approaches in understanding and using technologies is important in today’s art world. The discussions will start by addressing the creative and cognitive aspects of procedural fluency in creating, reading or interpreting a generative artwork. By assessing the perceptual interaction with generative art, we will continue to question the narrative and performative qualities of this relatively new form. These two sections will introduce us to the contemporary smart cities as venues for generative practices and a notion of engaging city dwellers to participate in this complex system of networks and devices. Furthermore, we will discuss the new potential divergences of generative art practice. Biotechnology and quantum mechanics open another unimaginable field of generative activities that, equally to other venues, require critical, analytical and creative use of technology. Published version 2020-12-08T01:39:41Z 2020-12-08T01:39:41Z 2016 Conference Paper Grba, D., Todorović, V., Todorović, T., Schlegel, A., & Pandilovski, M. (2016). Divergent generative art practices. Proceedings of the 22nd International Symposium on Electronic Art ISEA2016 Hong Kong, 408-413. 978-962-442-397-6 https://hdl.handle.net/10356/144989 408 413 en © 2016 All rights reserved by the Individual Authors, School of Creative Media City University of Hong Kong, and ISEA International. application/pdf |
| spellingShingle | Visual arts and music::Media Generative Art Transcoding Grba, Dejan Todorović, Vladimir Todorović, Tatjana Schlegel, Andreas Pandilovski, Melentie Divergent generative art practices |
| title | Divergent generative art practices |
| title_full | Divergent generative art practices |
| title_fullStr | Divergent generative art practices |
| title_full_unstemmed | Divergent generative art practices |
| title_short | Divergent generative art practices |
| title_sort | divergent generative art practices |
| topic | Visual arts and music::Media Generative Art Transcoding |
| url | https://hdl.handle.net/10356/144989 |
| work_keys_str_mv | AT grbadejan divergentgenerativeartpractices AT todorovicvladimir divergentgenerativeartpractices AT todorovictatjana divergentgenerativeartpractices AT schlegelandreas divergentgenerativeartpractices AT pandilovskimelentie divergentgenerativeartpractices |