Colonial modernity and urban space : Naguib Mahfouz’s Cairo

This article explores the spatial dimension of colonial modernity in Naguib Mahfouz’s 1947 novel Midaq Alley. I begin by discussing the way in which modernity reconfigures urban space in Cairo so that the radical disjunctures and discontinuities it initiates become encoded within the topography of t...

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Main Author: Scott, Bede
Other Authors: School of Humanities
Format: Journal Article
Language:English
Published: 2020
Subjects:
Online Access:https://hdl.handle.net/10356/145002
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author Scott, Bede
author2 School of Humanities
author_facet School of Humanities
Scott, Bede
author_sort Scott, Bede
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description This article explores the spatial dimension of colonial modernity in Naguib Mahfouz’s 1947 novel Midaq Alley. I begin by discussing the way in which modernity reconfigures urban space in Cairo so that the radical disjunctures and discontinuities it initiates become encoded within the topography of the city itself. I then address the impact this reconfiguration of space has on the inhabitants of Midaq Alley, forcing them to engage with modernity as a concrete presence in their daily lives. In other words, to use Mikhail Bakhtin’s terminology, modernity in the novel takes on a chronotopic quality – fusing time and space, history and geography – and as a consequence, those characters who aspire to move from one temporality to another are required to do so by following a particular spatial trajectory. They must traverse a number of significant boundaries and interstitial zones, before entering those chronotopic sites whose function it is both to signify and shape colonial modernity: in this case, specifically, the brothel and the bar.
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spelling ntu-10356/1450022020-12-08T05:43:08Z Colonial modernity and urban space : Naguib Mahfouz’s Cairo Scott, Bede School of Humanities Humanities::Language::English Cairo Midaq Alley This article explores the spatial dimension of colonial modernity in Naguib Mahfouz’s 1947 novel Midaq Alley. I begin by discussing the way in which modernity reconfigures urban space in Cairo so that the radical disjunctures and discontinuities it initiates become encoded within the topography of the city itself. I then address the impact this reconfiguration of space has on the inhabitants of Midaq Alley, forcing them to engage with modernity as a concrete presence in their daily lives. In other words, to use Mikhail Bakhtin’s terminology, modernity in the novel takes on a chronotopic quality – fusing time and space, history and geography – and as a consequence, those characters who aspire to move from one temporality to another are required to do so by following a particular spatial trajectory. They must traverse a number of significant boundaries and interstitial zones, before entering those chronotopic sites whose function it is both to signify and shape colonial modernity: in this case, specifically, the brothel and the bar. 2020-12-08T05:43:07Z 2020-12-08T05:43:07Z 2014 Journal Article Scott, B. (2014). Colonial modernity and urban space : Naguib Mahfouz’s Cairo. Journal of Urban Cultural Studies, 1(2), 255-272. doi:10.1386/jucs.1.2.255_1 2050-9790 https://hdl.handle.net/10356/145002 10.1386/jucs.1.2.255_1 2 1 255 272 en Journal of Urban Cultural Studies © 2014 Intellect. All rights reserved.
spellingShingle Humanities::Language::English
Cairo
Midaq Alley
Scott, Bede
Colonial modernity and urban space : Naguib Mahfouz’s Cairo
title Colonial modernity and urban space : Naguib Mahfouz’s Cairo
title_full Colonial modernity and urban space : Naguib Mahfouz’s Cairo
title_fullStr Colonial modernity and urban space : Naguib Mahfouz’s Cairo
title_full_unstemmed Colonial modernity and urban space : Naguib Mahfouz’s Cairo
title_short Colonial modernity and urban space : Naguib Mahfouz’s Cairo
title_sort colonial modernity and urban space naguib mahfouz s cairo
topic Humanities::Language::English
Cairo
Midaq Alley
url https://hdl.handle.net/10356/145002
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