Translanguaging in translation as resistance : 《M40》by 谢裕民
There has long been debate about whether translated works should be, in Lawrence Venuti’s words, “foreignised” or “domesticated”. That model, however, assumes two audiences, fully separated by language and/or nationality. And yet in Singapore (not to mention in many other postcolonial, bilingual or...
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| Format: | Thesis-Master by Coursework |
| Language: | English |
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Nanyang Technological University
2021
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| Online Access: | https://hdl.handle.net/10356/148760 |