Contemplating Chineseness in 临摹 lapping emulations

临摹 (linmo) Lapping Emulations adopts a process-led investigation to articulate the nuances and complexities of an unstable and protean cultural identity. Ruminating upon my lived experience as part of the Chinese diaspora in Singapore, I begin to conjure new manners of image-making, which include im...

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Bibliografiske detaljer
Hovedforfatter: Hong, Shu-ying
Andre forfattere: Ang Song Nian
Format: Final Year Project (FYP)
Sprog:English
Udgivet: Nanyang Technological University 2021
Fag:
Online adgang:https://hdl.handle.net/10356/149783
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author Hong, Shu-ying
author2 Ang Song Nian
author_facet Ang Song Nian
Hong, Shu-ying
author_sort Hong, Shu-ying
collection NTU
description 临摹 (linmo) Lapping Emulations adopts a process-led investigation to articulate the nuances and complexities of an unstable and protean cultural identity. Ruminating upon my lived experience as part of the Chinese diaspora in Singapore, I begin to conjure new manners of image-making, which include improvised darkroom techniques, as well as photographic and editing experimentations. The adapted techniques seek to encapsulate the unpredictability and fluidity of identity negotiation and extension. Concurrently, such reflections are continually challenged and clarified by my research on the Chinese diaspora, history and culture in Singapore. Thus, I propose that Chineseness is an aggregate of cultural subjectivities and by-product of human sociality.
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spelling ntu-10356/1497832023-03-11T19:52:52Z Contemplating Chineseness in 临摹 lapping emulations Hong, Shu-ying Ang Song Nian School of Art, Design and Media SNAng@ntu.edu.sg Visual arts and music::Visual arts Visual arts and music::Photography 临摹 (linmo) Lapping Emulations adopts a process-led investigation to articulate the nuances and complexities of an unstable and protean cultural identity. Ruminating upon my lived experience as part of the Chinese diaspora in Singapore, I begin to conjure new manners of image-making, which include improvised darkroom techniques, as well as photographic and editing experimentations. The adapted techniques seek to encapsulate the unpredictability and fluidity of identity negotiation and extension. Concurrently, such reflections are continually challenged and clarified by my research on the Chinese diaspora, history and culture in Singapore. Thus, I propose that Chineseness is an aggregate of cultural subjectivities and by-product of human sociality. Bachelor of Fine Arts in Media Art 2021-06-09T12:11:06Z 2021-06-09T12:11:06Z 2021 Final Year Project (FYP) Hong, S. (2021). Contemplating Chineseness in 临摹 lapping emulations. Final Year Project (FYP), Nanyang Technological University, Singapore. https://hdl.handle.net/10356/149783 https://hdl.handle.net/10356/149783 en application/pdf Nanyang Technological University
spellingShingle Visual arts and music::Visual arts
Visual arts and music::Photography
Hong, Shu-ying
Contemplating Chineseness in 临摹 lapping emulations
title Contemplating Chineseness in 临摹 lapping emulations
title_full Contemplating Chineseness in 临摹 lapping emulations
title_fullStr Contemplating Chineseness in 临摹 lapping emulations
title_full_unstemmed Contemplating Chineseness in 临摹 lapping emulations
title_short Contemplating Chineseness in 临摹 lapping emulations
title_sort contemplating chineseness in 临摹 lapping emulations
topic Visual arts and music::Visual arts
Visual arts and music::Photography
url https://hdl.handle.net/10356/149783
work_keys_str_mv AT hongshuying contemplatingchinesenessinlínmólappingemulations