3D stereo pictorial spaces : towards new aesthetics in contemporary painting

"How much freedom does a space give us, and how does a living space affects its occupation? Stereo photography does not work optically but physiologically, visually: the viewer's perception contributes as much to the image as the camera and the light sensitive plate do. A stereo image is a...

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Bibliographic Details
Main Authors: Conradi, Ina, de la Nuez, Rubén
Other Authors: School of Art, Design and Media
Format: Book
Language:English
Published: Ina Conradi 2021
Subjects:
Online Access:https://inaconradi.com/
https://hdl.handle.net/10356/151743
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author Conradi, Ina
de la Nuez, Rubén
author2 School of Art, Design and Media
author_facet School of Art, Design and Media
Conradi, Ina
de la Nuez, Rubén
author_sort Conradi, Ina
collection NTU
description "How much freedom does a space give us, and how does a living space affects its occupation? Stereo photography does not work optically but physiologically, visually: the viewer's perception contributes as much to the image as the camera and the light sensitive plate do. A stereo image is a hybrid of a living experience and a dead picture: you are outside of it, but it is in your head, and you feel it in your body. It takes time for us to see it, time for the experience to construct itself in our perception. Stereo photography cannot be compared to the kind of 3D photography made with disposable cameras; the contours and the space in a stereoscopic viewer are too crisp and uncompromising. Stereo photography isolates and intensifies space, not the people in it. That space is alive, in us, and therefore absolute."
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spelling ntu-10356/1517432023-03-11T19:45:47Z 3D stereo pictorial spaces : towards new aesthetics in contemporary painting Conradi, Ina de la Nuez, Rubén School of Art, Design and Media Visual arts and music::General 3D Pictorial Contemporary Painting "How much freedom does a space give us, and how does a living space affects its occupation? Stereo photography does not work optically but physiologically, visually: the viewer's perception contributes as much to the image as the camera and the light sensitive plate do. A stereo image is a hybrid of a living experience and a dead picture: you are outside of it, but it is in your head, and you feel it in your body. It takes time for us to see it, time for the experience to construct itself in our perception. Stereo photography cannot be compared to the kind of 3D photography made with disposable cameras; the contours and the space in a stereoscopic viewer are too crisp and uncompromising. Stereo photography isolates and intensifies space, not the people in it. That space is alive, in us, and therefore absolute." Published version 2021-06-29T02:35:37Z 2021-06-29T02:35:37Z 2012 Book Conradi, I. & de la Nuez, R. (2012). 3D stereo pictorial spaces : towards new aesthetics in contemporary painting. Ina Conradi. https://hdl.handle.net/10356/151743 978-981-07-2246-3 https://inaconradi.com/ https://hdl.handle.net/10356/151743 en RG 55/10 (M52090031) NRF2008IDM-IDM004-003 © 2012 Ina Conradi. All rights reserved. This book is made available with permission of Ina Conradi. application/pdf Ina Conradi
spellingShingle Visual arts and music::General
3D Pictorial
Contemporary Painting
Conradi, Ina
de la Nuez, Rubén
3D stereo pictorial spaces : towards new aesthetics in contemporary painting
title 3D stereo pictorial spaces : towards new aesthetics in contemporary painting
title_full 3D stereo pictorial spaces : towards new aesthetics in contemporary painting
title_fullStr 3D stereo pictorial spaces : towards new aesthetics in contemporary painting
title_full_unstemmed 3D stereo pictorial spaces : towards new aesthetics in contemporary painting
title_short 3D stereo pictorial spaces : towards new aesthetics in contemporary painting
title_sort 3d stereo pictorial spaces towards new aesthetics in contemporary painting
topic Visual arts and music::General
3D Pictorial
Contemporary Painting
url https://inaconradi.com/
https://hdl.handle.net/10356/151743
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